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Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research
16 references·1 citing·36 second hop
Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research (2019)Semiotic approaches to “traditional music…Popular music (2001)Popular musicShadows in the Field: New Perspectives for Fieldwork in Ethnomusicology (1998)Shadows in the Field: New Per…The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition (1996)The Ethnomusicologist, Ethnog…Playing with Signs (1991)Playing with SignsAfrican Polyphony and Polyrhythm (1991)African Polyphony and Polyrhy…Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Poetics and Performances as C…Dastgah Concept in Persian Music The (1990)Dastgah Concept in Persian Mu…Learning How to Ask (1986)Learning How to AskA Theory for all Music (1983)A Theory for all MusicAnalysing popular music: theory, method and practice (1982)Analysing popular music: theo…Interpretive Social Science (1979)Interpretive Social ScienceOutline of a Theory of Practice (1977)Outline of a Theory of Practi…The Sound Pattern of English (1968)The Sound Pattern of EnglishElements of Semiology (1967)Elements of SemiologySong Structure and Social Structure (1962)Song Structure and Social Str…Some Linguistic Approaches to Musical Analysis (1958)Some Linguistic Approaches to…Interconnection of linguistics and musical art (2021)Interconnection of linguistic…A simplest systematics for the organization of turn-taking for conversation (1974)How To Do Things With Words (1975)Critical Discourse Analysis (2000)Discourse (2005)Discourse: A Critical Introduction. (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)Culture and Consumption: A Theoretical Account of the Structure and Movement of the Cultural Meaning of Consumer Goods (1986)Valuing Things: The Public and Private Meanings of Possessions (1994)Sharing Meaning Across Occupational Communities: The Transformation of Understanding on a Production Floor (2003)Natural language and natural selection (1990)Faithfulness and Reduplicative Identity (1995)Optimality Theory: Constraint Interaction in Generative Grammar (2004)Psychology for Musicians (2007)The Art of Doing (Geographies of) Music (2007)Apprenticeship as method: embodied learning in ethnographic practice (2014)The disciplinary dilemma of tourism studies (1997)Interpretivism and Generalisation (2000)From How to Why (2001)Understanding and Validity in Qualitative Research (1992)SURVEY RESEARCH (1999)The qualitative research interview (2006)A Cognitive Theory of Musical Meaning (2000)Theorizing Musical Meaning (2001)The Classical Cadence: Conceptions and Misconceptions (2004)Synchronous chorusing and the origins of music (1999)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)Using Technology and Constituting Structures: A Practice Lens for Studying Technology in Organizations (2000)Five Misunderstandings About Case-Study Research (2004)
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References

  • 1977Outline of a Theory of Practice27,539 cited
  • 1968The Sound Pattern of English5,172 cited
  • 1990Poetics and Performances as Critical Perspectives on Language and Social Life2,677 cited
  • 1967Elements of Semiology1,278 cited
  • 1986Learning How to Ask1,105 cited
  • 1979Interpretive Social Science586 cited
  • 1991Playing with Signs386 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 1998Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology305 cited
  • 1991African Polyphony and Polyrhythm231 cited
  • 1962Song Structure and Social Structure173 cited
  • 1990Dastgah Concept in Persian Music The47 cited
  • 2001Popular music39 cited
  • 1983A Theory for all Music22 cited
  • 1958Some Linguistic Approaches to Musical Analysis21 cited
  • 1996The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition20 cited

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Interconnection of linguistics and musical art
6 cited