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THE HALF CADENCE AND RELATED ANALYTIC FICTIONS
8 references·1 citing·23 second hop
THE HALF CADENCE AND RELATED ANALYTIC FICTIONS (2015)THE HALF CADENCE AND RELATED ANALYTIC FIC…Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…The Off-Tonic Return in Beethoven's Piano Concerto No. 4 in G Major, Op. 58, and Other Works (2005)The Off-Tonic Return in Beeth…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form (1991)Towards a Reconciliation of S…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicForm in Music (1985)Form in MusicExplaining Music: Essays and Explorations (1975)Explaining Music: Essays and …Versuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas (2019)Play with Closing Markers: Ca…Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Development of speech-like vocalizations in a child with congenital absence of cochleas: The case of total deafness (1989)An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update (2011)Understanding the leitmotif: from Wagner to Hollywood film music (2016)Cadential processes: The evaded cadence and the “one more time” technique (1992)Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure (2000)Punctuation and Sense in Late-Eighteenth-Century Music (2010)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)B rahms and the P rinciple of D estabilised B eginnings (2009)R hetorical C losure in the F irst M ovement of S chubert ' s Q uartet in C major , D. 46: A D ialogue with D eformation (2009)Beethoven 1806 (2019)Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)In Search of Romantic Form (2013)In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (2013)Towards a generative syntax of tonal harmony (2011)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1969Versuch einer Anleitung zur Composition242 cited
  • 1975Explaining Music: Essays and Explorations205 cited
  • 1991Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form84 cited
  • 1985Form in Music43 cited
  • 2005The Off-Tonic Return in Beethoven's Piano Concerto No. 4 in G Major, Op. 58, and Other Works38 cited

Cited by

  • 2019Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas10 cited

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