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“Branding”, autoría y adaptación transmedia en los productos oficiales de Studio Ghibli: el “estilo Miyazaki” en los videojuegos de la saga Ni No Kuni (2011-2018)
7 references·1 citing·24 second hop
“Branding”, autoría y adaptación transmedia en los productos oficiales de Studio Ghibli: el “estilo Miyazaki” en los videojuegos de la saga Ni No Kuni (2011-2018) (2019)“Branding”, autoría y adaptación transmed…One Thousand Years of Manga (2008)One Thousand Years of MangaFilm adaptation and its discontents: from Gone with the wind to The passion of the Christ (2008)Film adaptation and its disco…When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso (2007)When Pigs Fly: Anime, Auteuri…Animation: Genre and Authorship (2002)Animation: Genre and Authorsh…Collaboration and Concepts of Authorship (2001)Collaboration and Concepts of…Hayao Miyazaki: Master of Japanese Animation : Films, Themes, Artistry (1999)Hayao Miyazaki: Master of Jap…The Auteur Theory and the Perils of Pauline (1963)The Auteur Theory and the Per…Revisión de literatura sobre transmedia y narrativa usando un algoritmo de aprendizaje automático no supervisado (2025)Revisión de literatura sobre …The Oxford guide to film studies (1999)Cinema Studies: The Key Concepts (2002)Anime from Akira to Howl's moving castle : experiencing contemporary Japanese animation (2005)The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii (2014)Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory inSpirited Away (2015)Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism (2016)Madness and Civilization: A History of Insanity in the Age of Reason. (1966)The Celluloid Closet : Homosexuality in the Movies (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)A Convenience of Marriage: Collaboration and Interdisciplinarity (2001)Technicians of the unknown cinema: British critical discourse and the analysis of collaboration in film production (2009)Collaborative Processes in Science and Literature: an In-Depth Look at the Cases of CERN and SIC (2021)Applying LDA Topic Modeling in Communication Research: Toward a Valid and Reliable Methodology (2018)How to conduct a bibliometric analysis: An overview and guidelines (2021)Web of Science (WoS) and Scopus: The Titans of Bibliographic Information in Today’s Academic World (2021)Cartoons from Another Planet: Japanese Animation as Cross-Cultural Communication (2001)Cartoons from Another Planet: Japanese Animation as Cross‐Cultural Communication (2001)Eroticism for the masses: Japanese manga comiss and their assimilation into the U.S. (2002)Adaptation and Intertextuality, or, What Isn't an Adaptation, and What does it Matter? (2012)Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories (2012)Cormac McCarthy and Performance (2017)Imperfect Media and the Poetics of Indigenous Video in Latin America (2008)Rethinking the Digital Age (2008)Animation and Automation – The Liveliness and Labours of Bodies and Machines (2012)
this work references cited by second hop

References

  • 2008Film adaptation and its discontents: from Gone with the wind to The passion of the Christ255 cited
  • 2002Animation: Genre and Authorship138 cited
  • 1999Hayao Miyazaki: Master of Japanese Animation : Films, Themes, Artistry46 cited
  • 2007When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso27 cited
  • 1963The Auteur Theory and the Perils of Pauline22 cited
  • 2001Collaboration and Concepts of Authorship19 cited
  • 2008One Thousand Years of Manga17 cited

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  • 2025Revisión de literatura sobre transmedia y narrativa usando un algoritmo de aprendizaje automático no supervisado2 cited

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