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Math and Music, Models and Metaphors: Alberto Posadas' ‘Tree-Like Structures’
16 references·0 citing·36 second hop
Math and Music, Models and Metaphors: Alberto Posadas' ‘Tree-Like Structures’ (2019)Math and Music, Models and Metaphors: Alb…The Act of Musical Composition: Studies in the Creative Process (2012)The Act of Musical Compositio…Chapter 15. Music, language, and multimodal metaphor (2009)Chapter 15. Music, language, …Rethinking Metaphor (2008)Rethinking MetaphorConversations with Iannis Xenakis (2003)Conversations with Iannis Xen…Conceptualizing music: cognitive structure, theory, and analysis (2003)Conceptualizing music: cognit…The way we think: conceptual blending and the mind's hidden complexities (2002)The way we think: conceptual …Theorizing Musical Meaning (2001)Theorizing Musical MeaningDid you say spectral? (2000)Did you say spectral?Conceptual Integration Networks (1998)Conceptual Integration Networ…The Myth of Organicism: From Bad Science to Great Art (1992)The Myth of Organicism: From …The Living Work: Organicism and Musical Analysis (1980)The Living Work: Organicism a…How We Got into Analysis, and How to Get out (1980)How We Got into Analysis, and…The path to the new music (1963)The path to the new musicJournal of Theoretical Biology (1961)Journal of Theoretical BiologyThree models for the description of language (1956)Three models for the descript…On Growth and Form (1945)On Growth and FormMore than Cool Reason (1989)The Analogical Mind (2001)With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time (2006)Complementary perspectives on metaphor: Cognitive linguistics and relevance theory (2008)When time is not space: The social and linguistic construction of time intervals and temporal event relations in an Amazonian culture (2011)No Metaphorical Timeline in Gesture and Cognition Among Yucatec Mayas (2012)The Thematic Process in Music (1951)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)Metaphor and music (2008)Emotion and Meaning in Music (1961)A Theory of Semiotics (1976)A Cognitive Theory of Musical Meaning (2000)Metaphors We Live By (2003)Choreomusical Conversations: Facing a Double Challenge (2011)Music and Ethical Responsibility (2014)Foundations of Cognitive Grammar (1988)The contemporary theory of metaphor (1993)Blending and metaphor (1999)The Semantics of English Prepositions (2003)Language as shaped by the brain (2008)Analyzing Popular Music (2003)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)Organizational Routines as Grammars of Action (1994)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)The Evolution of Language (2010)Beyond Atomism and Holism—the Concept of the Holon (1970)Connectionism and dynamic systems: are they really different? (2003)Biological evolution of the Saussurean sign as a component of the language acquisition device (1989)Shared Norms and the Evolution of Ethnic Markers (2003)Signaling Theory, Strategic Interaction, and Symbolic Capital (2005)Stimulated Recall Interviews in Ethnography (2010)Evaluating Conceptual Metaphor Theory (2011)
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References

  • 2002The way we think: conceptual blending and the mind's hidden complexities5,327 cited
  • 1956Three models for the description of language2,828 cited
  • 1998Conceptual Integration Networks2,043 cited
  • 1945On Growth and Form1,119 cited
  • 1961Journal of Theoretical Biology586 cited
  • 2008Rethinking Metaphor391 cited
  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 2001Theorizing Musical Meaning244 cited
  • 1980The Living Work: Organicism and Musical Analysis132 cited
  • 2012The Act of Musical Composition: Studies in the Creative Process123 cited
  • 2009Chapter 15. Music, language, and multimodal metaphor63 cited
  • 2003Conversations with Iannis Xenakis61 cited
  • 1992The Myth of Organicism: From Bad Science to Great Art57 cited
  • 2000Did you say spectral?44 cited
  • 1963The path to the new music44 cited

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