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Operatic Borrowing in Stephen Sondheim’s Sweeney Todd
16 references·0 citing·29 second hop
Operatic Borrowing in Stephen Sondheim’s Sweeney Todd (2019)Operatic Borrowing in Stephen Sondheim’s …Musical Borrowing or Curious Coincidence? (2018)Musical Borrowing or Curious …The Oxford Handbook of Opera (2014)The Oxford Handbook of OperaSondheim’s use of the ‘Herrmann chord’ in Sweeney Todd (2012)Sondheim’s use of the ‘Herrma…Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber (2009)Enchanted Evenings: The Broad…Tunes for 'toons: music and the Hollywood cartoon (2006)Tunes for 'toons: music and t…How Sondheim Found His Sound (2005)How Sondheim Found His SoundHusbands, Wives and Lovers: Marriage and Its Discontents in Nineteenth-Century France (2003)Husbands, Wives and Lovers: M…All made of tunes: Charles Ives and the uses of musical borrowing (1996)All made of tunes: Charles Iv…The Uses of Existing Music: Musical Borrowing as a Field (1994)The Uses of Existing Music: M…Sondheim's Broadway Musicals (1993)Sondheim's Broadway MusicalsHarold Prince and the American musical theatre (1989)Harold Prince and the America…The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte (1988)The Mozart-Da Ponte Operas: T…In Their Own Words: Contemporary American Playwrights (1988)In Their Own Words: Contempor…A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985)A Theory of Parody: The Teach…All American music : composition in the late twentieth century (1983)All American music : composit…Opera, or the Undoing of Women (1979)Opera, or the Undoing of WomenThe Cambridge History of American Music (1998)Choices in Song Translation (2008)Formal Functions of Metric Dissonance in Rock Music (2014)“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song (2012)American Musical Theatre before the Twentieth Century (2017)The Cambridge Companion to the Musical (2017)The Oxford Handbook of The American Musical (2011)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)Constructing the Oriental ‘Other’: Saint-Saëns'sSamson et Dalila (1991)The (im)possibility of intellectual work in neoliberal regimes (2005)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Intertextuality, sampling, and copyright (2015)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model (2021)21 FROM A POETICS OF POSTMODERNISM (2002)Hyperbole in English (2010)Memes in a Digital World: Reconciling with a Conceptual Troublemaker (2013)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)Art music from 1800 to 1860 (1998)Schoenberg's Atonal Music (2019)Six Small Thoughts on Fornes, the Problem of Intention, and Willfulness (2001)Realism and the American Dramatic Tradition (2015)Among Races, Nations, and Diasporas: Genealogies of “La bamba” in Mexico and the United States (2017)Globalizing Operetta before the First World War (2017)Liszt and the Symphonic Poem (2017)On “Diegesis” and “Diegetic”: Words and Concepts (2020)
this work references cited by second hop

References

  • 1985A Theory of Parody: The Teachings of Twentieth-Century Art Forms769 cited
  • 1979Opera, or the Undoing of Women175 cited
  • 1994The Uses of Existing Music: Musical Borrowing as a Field139 cited
  • 1996All made of tunes: Charles Ives and the uses of musical borrowing131 cited
  • 1993Sondheim's Broadway Musicals114 cited
  • 2009Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber109 cited
  • 1989Harold Prince and the American musical theatre87 cited
  • 1988In Their Own Words: Contemporary American Playwrights64 cited
  • 2005How Sondheim Found His Sound54 cited
  • 2014The Oxford Handbook of Opera45 cited
  • 2018Musical Borrowing or Curious Coincidence?36 cited
  • 2006Tunes for 'toons: music and the Hollywood cartoon31 cited
  • 1983All American music : composition in the late twentieth century23 cited
  • 1988The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte22 cited
  • 2003Husbands, Wives and Lovers: Marriage and Its Discontents in Nineteenth-Century France21 cited
  • 2012

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Sondheim’s use of the ‘Herrmann chord’ in Sweeney Todd
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