SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience
8 references·1 citing·35 second hop
The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience (2018)The Audience Is Present: Aliveness, Socia…Live to your local cinema: the remarkable rise of livecasting (2013)Live to your local cinema: th…Patterns of listening through social media: online fan engagement with the live music experience (2012)Patterns of listening through…Digital Liveness: A Historico-Philosophical Perspective (2012)Digital Liveness: A Historico…“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence (2011)“The Artist is Present”: Arti…Surrogate Stages: Theatre, Performance and the Challenge of New Media (2008)Surrogate Stages: Theatre, Pe…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Toward a Philosophy of the Act (1993)Toward a Philosophy of the ActViral Shakespeare (2021)Viral ShakespeareDistinction: A Social Critique of the Judgement of Taste. (1985)Textual poachers : television fans & participatory culture (1992)Distinction: A Social Critique of the Judgement of Taste* (2018)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)The Power of Music (2022)The idea of history (1946)How To Do Things With Words (1975)Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory (1988)Remembering Feminist Remimesis: A Riddle in Three Parts (2014)Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency (2015)Re-enacting/mediating/activating: Towards a collaborative feminist approach to research-creation (2023)The Transformative Power of Performance (2008)Liveness, mediation and immediacy – innovative technology use in process and performance (2012)Digital Technology and Cultural Practice (2019)Bootlegs over Broadway: musical theatre (re)productions, digital circulation, and the informal media economy (2021)Truth and Method (1960)Noise, the Political Economy of Music (1989)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Splendour XR: Place, Experience and Liveness at a Virtual Music Festival (2023)Unmarked: the politics of performance (1994)Postdramatic Theatre (2006)Lines (2007)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Signs and meanings in students' emergent algebraic thinking: A semiotic analysis (2000)Curriculum-Based Ecosystems: Supporting Knowing From an Ecological Perspective (2006)Theorizing Acts of Citizenship (2015)Screening from the Met, the NT, or the House: what changes with the live relay (2014)“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)
this work references cited by second hop

References

  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1993Toward a Philosophy of the Act752 cited
  • 2012Digital Liveness: A Historico-Philosophical Perspective167 cited
  • 2012Patterns of listening through social media: online fan engagement with the live music experience132 cited
  • 2011“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence131 cited
  • 2013Live to your local cinema: the remarkable rise of livecasting55 cited
  • 2008Surrogate Stages: Theatre, Performance and the Challenge of New Media49 cited

Cited by

  • 2021Viral Shakespeare19 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work