SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Diatonic and Chromatic Tonicization in Rock Music
16 references·0 citing·34 second hop
Diatonic and Chromatic Tonicization in Rock Music (2019)Diatonic and Chromatic Tonicization in Ro…A geometry of music: harmony and counterpoint in the extended common practice (2012)A geometry of music: harmony …A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …A corpus analysis of rock harmony (2011)A corpus analysis of rock har…Triadic Modal and Pentatonic Patterns in Rock Music (2010)Triadic Modal and Pentatonic …The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" (2008)The Foundations of Rock: From…Signature Transformations (2008)Signature TransformationsThe Classical Cadence: Conceptions and Misconceptions (2004)The Classical Cadence: Concep…Making Sense of Rock’s Tonal Systems (2004)Making Sense of Rock’s Tonal …What to listen for in rock: a stylistic analysis (2003)What to listen for in rock: a…What to Listen For in Rock (2002)What to Listen For in RockThe so-called ‘flattened seventh’ in rock (1995)The so-called ‘flattened seve…Patterns of harmony (1992)Patterns of harmonyStudying Popular Music (1991)Studying Popular MusicStudying Popular Music (1990)Studying Popular MusicTonal implications of the diatonic set (1981)Tonal implications of the dia…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Music as Discourse (2008)Harmony in Haydn and Mozart (2012)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Generalized Voice-Leading Spaces (2008)The meanings of musical meanings (2011)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets (2019)Studying Popular Music (1991)Running with the devil: power, gender, and madness in heavy metal music (1993)(Ac)cumulative Form in Pop-Rock Music (2004)The melodic-harmonic ‘divorce’ in rock (2007)Analysing popular music: theory, method and practice (1982)Formal Functions of Metric Dissonance in Rock Music (2014)Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast's "Mainstream" (1996) (2017)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Interpreting Popular Music (2000)Guitar Voicing in Pop-Rock Music (2011)Subverting the Verse–Chorus Paradigm (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Beyond geography's visible worlds: a cultural politics of music (1997)The economy of live music in the digital age (2010)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Mediatization of Society (2008)Cadential processes: The evaded cadence and the “one more time” technique (1992)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Tonal Ambiguity in Popular Music’s Axis Progressions (2017)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)
this work references cited by second hop

References

  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1990Studying Popular Music606 cited
  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1991Studying Popular Music246 cited
  • 2011A corpus analysis of rock harmony224 cited
  • 2012A geometry of music: harmony and counterpoint in the extended common practice204 cited
  • 2010Triadic Modal and Pentatonic Patterns in Rock Music165 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2004Making Sense of Rock’s Tonal Systems140 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 2002What to Listen For in Rock100 cited
  • 2003What to listen for in rock: a stylistic analysis88 cited
  • 2008Signature Transformations84 cited
  • 2008The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"81 cited
  • 1992Patterns of harmony81 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work