SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Chronophobia: On Time in the Art of the 1960s
0 references·16 citing·39 second hop
Chronophobia: On Time in the Art of the 1960s (2004)Chronophobia: On Time in the Art of the 1…A Celestial Doctrine: James Turrell, Art, and Technology in Cold War Los Angeles (2022)A Celestial Doctrine: James T…The maternal death drive: Greta Thunberg and the question of the future (2020)The maternal death drive: Gre…Technocrats of the Imagination (2020)Technocrats of the ImaginationThe artist and the stone: project, process and value in contemporary art (2019)The artist and the stone: pro…The Sensibility of Michael Fried (2018)The Sensibility of Michael Fr…Going Big: Michael Heizer, Bulldozers, and Suburbia (2017)Going Big: Michael Heizer, Bu…Waiting in the seat of sensation: the Brown existentialism of Ryan Rivera (2015)Waiting in the seat of sensat…‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)‘Sound Effects (O.K., Music)’…Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic (2013)Americocentrism and Art of th…Dirty Media: Tom McCarthy and the Afterlife of Modernism (2012)Dirty Media: Tom McCarthy and…POEMFIELDs and the Materiality of the Computational Screen (2010)POEMFIELDs and the Materialit…Mail art: networking without technology (2009)Mail art: networking without …From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney (2009)From the Gun Controller to th…Romantic Automatism: Art, Technology, and Collaborative Labor in Cold War America (2008)Romantic Automatism: Art, Tec…“Muslims to Take Over Institute for Contemporary Art”: The 1976 World of Islam Festival (2008)“Muslims to Take Over Institu…VIDEO REMAINS (2006)VIDEO REMAINSThe Originality of the Avant Garde and Other Modernist Myths (1988)Random Order: Robert Rauschenberg and the Neo-Avant-Garde (2003)Video Synthesizers: From Analog Computing to Digital Art (2014)Organized Advocacy for Professional Women in Computing: Comparing Histories of the AWC and ACM–W (2016)The Family as Machine: Film, Infrastructure, and Cybernetic Kinship in Suburban America (2017)Gramophone, Film, Typewriter (1987)Archive Fever: A Freudian Impression (1995)The Human Condition (1998)The future of nostalgia (2001)Nostalgia on my mind (2011)Reeling backward (2019)The Human Use of Human Beings: Cybernetics and Society (1951)How We Became Posthuman (1999)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute (2013)Digital Light (2015)Feminist geographies of digital work (2016)PHENOMENOLOGY OF PERCEPTION (1963)Phenomenology of Perception. (1964)The archeology of knowledge (1995)Afro-Electric Counterpoint (2019)Rethinking Reich (2019)That’s All It Does (2019)Being Singular Plural (2000)Phenomenology of Perception (2002)Depression: A Public Feeling (2012)The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field (2003)Word Into Art: Artists of the Modern Middle East (2006)Modern Arab art: formation of Arab aesthetics (2008)Sexual Behavior in the Human Male (1948)Keywords: A Vocabulary of Culture and Society (1977)Diagnostic and Statistical Manual of Mental Disorders (2013)The Climate of History: Four Theses (2008)The shock doctrine: the rise of disaster capitalism (2008)Beyond the Pleasure Principle (2015)The Rise Of The Gunbelt (1991)From Technophilia to Technophobia: The Impact of the Vietnam War on the Reception of “Art and Technology” (2008)The Democratic Surround (2013)Examining the impacts of artificial intelligence technology and computing on digital art: a case study of Edmond de Belamy and its aesthetic values and techniques (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2006VIDEO REMAINS65 cited
  • 2012Dirty Media: Tom McCarthy and the Afterlife of Modernism44 cited
  • 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
  • 2020The maternal death drive: Greta Thunberg and the question of the future35 cited
  • 2008Romantic Automatism: Art, Technology, and Collaborative Labor in Cold War America33 cited
  • 2018The Sensibility of Michael Fried33 cited
  • 2009From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney26 cited
  • 2015Waiting in the seat of sensation: the Brown existentialism of Ryan Rivera24 cited
  • 2008“Muslims to Take Over Institute for Contemporary Art”: The 1976 World of Islam Festival18 cited
  • 2022A Celestial Doctrine: James Turrell, Art, and Technology in Cold War Los Angeles17 cited
  • 2010POEMFIELDs and the Materiality of the Computational Screen17 cited
  • 2013Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic14 cited
  • 2009Mail art: networking without technology13 cited
  • 2017Going Big: Michael Heizer, Bulldozers, and Suburbia10 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2019
The artist and the stone: project, process and value in contemporary art
9 cited
  • 2020Technocrats of the Imagination9 cited