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The university as intermediary for the creative economy: Pedagogues, policy-makers and creative workers in the curriculum
16 references·0 citing·47 second hop
The university as intermediary for the creative economy: Pedagogues, policy-makers and creative workers in the curriculum (2019)The university as intermediary for the cr…Higher Education and the Creative Economy (2016)Higher Education and the Crea…Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey (2016)Are the creative industries m…Revealing and re-valuing cultural intermediaries in the ‘real’ creative city: Insights from a diary-keeping exercise (2015)Revealing and re-valuing cult…Global aspirations and local talent: the development of creative higher education in Singapore (2015)Global aspirations and local …Beyond the campus: higher education, cultural policy and the creative economy (2015)Beyond the campus: higher edu…Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers (2014)Unspeakable Inequalities: Pos…The Cultural Intermediaries Reader (2014)The Cultural Intermediaries R…Making Workers: Higher Education and the Cultural Industries Workplace (2013)Making Workers: Higher Educat…Cultural Work and Higher Education (2013)Cultural Work and Higher Educ…Creative Labour: Media Work in Three Cultural Industries (2012)Creative Labour: Media Work i…Learning to work in the creative and cultural sector: new spaces, pedagogies and expertise (2010)Learning to work in the creat…Creative labour, cultural work and individualisation (2010)Creative labour, cultural wor…Social Entrepreneurship: New Models of Sustainable Social Change (2008)Social Entrepreneurship: New …Fashion Culture: Creative Work, Female Individualization (2002)Fashion Culture: Creative Wor…The Cultural Role of Universities in the Community: Revisiting the University—Community Debate (2000)The Cultural Role of Universi…Analysing Everyday Explanation: A Casebook of Methods. (1989)Analysing Everyday Explanatio…The Division of Labour in Society (1984)Risk Society: Towards a New Modernity (1993)Risk Society, Towards a New Modernity (1994)LIFESTYLE JOURNALISM AS POPULAR JOURNALISM (2011)The Missing Producer: Rethinking indie cultural production in terms of entrepreneurship, relational labour, and sustainability (2018)Hope labour and the psychic life of cultural work (2020)The Condition of Postmodernity (1991)The Field of Cultural Production (1994)The New production of knowledge: the dynamics of science and research in contemporary societies (1995)Higher Education and Spatial (Im)Mobility: Nontraditional Students and Living at Home (2007)‘Going Away to Uni’: Mobility, Modernity, and Independence of English Higher Education students (2009)Students in Cities: A Preliminary Analysis of Their Patterns and Effects (2009)Non-places: Introduction to an anthropology of supermodernity (1996)British Fashion Design: Rag Trade or Image Industry? (1998)Globalization, Cultural Economy, and Not-So-Global Cities: The New Zealand Designer Fashion Industry (2007)Soft skills and employability: Evidence from UK retail (2011)Cultural Intermediaries in the Digital Age: The Case of Independent Musicians and Managers in Toronto (2013)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Multitude: war and democracy in the age of empire (2005)Resilience, apps and reluctant individualism: Technologies of self in the neoliberal academy (2015)The Psychic Life of Neoliberalism: Mapping the Contours of Entrepreneurial Subjectivity (2015)The Amazing Bounce-Backable Woman: Resilience and the Psychological Turn in Neoliberalism (2018)CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS (2002)Cool, Creative and Egalitarian? Exploring Gender in Project-Based New Media Work in Euro (2002)The Rise of the Creative Class (2002)Against Meritocracy (2017)‘Freelance isn’t free.’ Co-working as a critical urban practice to cope with informality in creative labour markets (2018)Class, Control, and Classical Music (2019)The Competitive Advantage of Nations (1990)Situated Learning: Legitimate Peripheral Participation. (1994)Communities of practice learning, meaning, and identity (1999)Creative clusters and the evolution of knowledge and skills: From industrial to creative glassmaking (2018)Arts and creativity: A business and branding strategy for Lodz as a neoliberal city (2020)Choosing Bad Jobs: The Use of Nonstandard Work as a Commitment Device (2020)From Ivory Tower to Cross-Media Personas (2015)The creative economy: invention of a global orthodoxy (2016)Quality and inequality: creating value worlds with Third Wave coffee (2019)The influence of sustainability orientation on entrepreneurial intentions — Investigating the role of business experience (2009)Managing Social-Business Tensions: A Review and Research Agenda for Social Enterprise (2013)Social Entrepreneurship Research: Past Achievements and Future Promises (2018)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Gender and Creative Labour (2015)Discourse and the Denial of Racism (1992)The Cognitive Style Index: A Measure of Intuition‐Analysis For Organizational Research (1996)Negotiating Hegemonic Masculinity: Imaginary Positions and Psycho-Discursive Practices (1999)
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References

  • 2008Social Entrepreneurship: New Models of Sustainable Social Change972 cited
  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 1989Analysing Everyday Explanation: A Casebook of Methods.701 cited
  • 2014Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers295 cited
  • 2016Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey210 cited
  • 2014The Cultural Intermediaries Reader183 cited
  • 2000The Cultural Role of Universities in the Community: Revisiting the University—Community Debate138 cited
  • 2010Creative labour, cultural work and individualisation94 cited
  • 2002Fashion Culture: Creative Work, Female Individualization78 cited
  • 2016Higher Education and the Creative Economy52 cited
  • 2015Revealing and re-valuing cultural intermediaries in the ‘real’ creative city: Insights from a diary-keeping exercise49 cited
  • 2013Cultural Work and Higher Education48 cited
  • 2015Beyond the campus: higher education, cultural policy and the creative economy47 cited
  • 2015Global aspirations and local talent: the development of creative higher education in Singapore29 cited
  • 2010

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Learning to work in the creative and cultural sector: new spaces, pedagogies and expertise
26 cited
  • 2013Making Workers: Higher Education and the Cultural Industries Workplace23 cited
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