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Maria Schneider’s Forms
13 references·0 citing·25 second hop
Maria Schneider’s Forms (2019)Maria Schneider’s FormsSubliminal Dissonance or “Consonance”? Two Views of Jazz Meter (2013)Subliminal Dissonance or “Con…Making the SceneContemporary New York City Big Band Jazz (2007)Making the SceneContemporary …Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Energetics (2002)EnergeticsThe Beatles as Musicians: The Quarry Men Through Rubber Soul (1999)The Beatles as Musicians: The…Saying Something: Jazz Improvisation and Interaction (1999)Saying Something: Jazz Improv…Classical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Saying something: jazz improvisation and interaction (1997)Saying something: jazz improv…The Swing Era: The Development of Jazz 1930-1945 (1990)The Swing Era: The Developmen…The swing era: the development of jazz, 1930-1945 (1989)The swing era: the developmen…Inside the score (1982)Inside the scoreStructural Functions in Music (1977)Greek Musical Writings (1990)Philosophical Reflections on Expressive Music Performance (2014)“Hearing music as . . .”: Metaphors evoked by the sound of classical music. (2019)Enacting Musical Time (2019)Der vollkommene Capellmeister (2025)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value (2008)Modernism and Popular Music (2011)Group creativity: musical performance and collaboration (2006)Distributed creativity: How collective creations emerge from collaboration. (2009)Music and the materialization of identities (2011)Extraordinary Measures (2011)(Ac)cumulative Form in Pop-Rock Music (2004)Expertise and Reason in Creative Thinking: Evidence from Case Studies and the Laboratory (2006)Modes of Expertise in Creative Thinking: Evidence from Case Studies (2006)Dead Geographies—And How to Make Them Live (2000)Art music from 1800 to 1860 (1998)The Cambridge History of American Music (1998)"Your Music Has Flung the Story of 'Hot Harlem' to the Four Corners of the Earth!": Race and Narrative in Black, Brown and Beige (2013)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1997Saying something: jazz improvisation and interaction788 cited
  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1999Saying Something: Jazz Improvisation and Interaction382 cited
  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 1990The Swing Era: The Development of Jazz 1930-1945119 cited
  • 1989The swing era: the development of jazz, 1930-1945114 cited
  • 2002Energetics55 cited
  • 2013Subliminal Dissonance or “Consonance”? Two Views of Jazz Meter18 cited
  • 2007Making the SceneContemporary New York City Big Band Jazz9 cited
  • 1982Inside the score5 cited

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