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On features of fugue subjects. A comparison of J.S. Bach and later composers
10 references·1 citing·28 second hop
On features of fugue subjects. A comparison of J.S. Bach and later composers (2019)On features of fugue subjects. A comparis…General Equal-Tempered Harmony: Parts 2 and 3 (2007)General Equal-Tempered Harmon…A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers (2007)A Quantitative Study of Chrom…The Reception of Bach's Organ Works from Mendelssohn to Brahms (2006)The Reception of Bach's Organ…Probability and Risk Analysis (2006)Probability and Risk AnalysisGeneral Equal-Tempered Harmony (Introduction and Part I) (2006)General Equal-Tempered Harmon…Statistics in Musicology (2004)Statistics in MusicologyAnalyzing Musical Structure and Performance---A Statistical Approach (1999)Analyzing Musical Structure a…The Organ Music of J. S. Bach (1984)The Organ Music of J. S. BachThe study of fugue (1958)The study of fugueThe Forty-Eight Preludes and Fugues of J.S .Bach (1948)The Forty-Eight Preludes and …A comparative statistical analysis of music styles (seventeenth–nineteenth centuries) (2020)A comparative statistical ana…The Thematic Process in Music (1951)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Collaboratories: doing science on the Internet (1996)Mathematical Music Theory|Status Quo 2000 (2001)Analysing musical performance through functional data analysis: rhythmic structure in Schumann'sTräumerei (2009)RESEARCH ARTICLE Analysing Musical Performance through Functional Data Analysis: Rhythmic Structure in Schumann's Traumerei (2009)Praecepta der musicalischen Composition (1955)Some Thoughts on Bach's Neumeister Chorales (1993)The Chromatic Fourth During Four Centuries of Music (1998)Bach and the Chaconne (1999)Bach's extraordinary temperament: our Rosetta Stone--1 (2005)The craft of musical composition (1941)A Dictionary of Musical Themes (1949)Grove Music Online (2006)Stability and Change in Rhythmic Patterning Across a Composer’s Lifetime (2015)Statistics for Long-Memory Processes (1997)BWV 886 as allegory of listening (1997)Zarlino's Definition of Fugue and Imitation (1971)Bach's Well-tempered clavier (2002)Steps to Parnassus: contrapuntal theory in 1725 precursors and successors (2002)Voice Leading in Set-Class Space (2005)Continuous Harmonic Spaces (2007)Schubert’s Harmonic Language and Fourier Phase Space (2015)Three Conceptions of Musical Distance (2009)Fourier Phase and Pitch-Class Sum (2019)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)Mendelssohn and the Organ (2010)Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (2012)
this work references cited by second hop

References

  • 1984The Organ Music of J. S. Bach81 cited
  • 2006General Equal-Tempered Harmony (Introduction and Part I)60 cited
  • 2007General Equal-Tempered Harmony: Parts 2 and 359 cited
  • 1999Analyzing Musical Structure and Performance---A Statistical Approach40 cited
  • 2006The Reception of Bach's Organ Works from Mendelssohn to Brahms38 cited
  • 2006Probability and Risk Analysis37 cited
  • 1958The study of fugue35 cited
  • 2007A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers16 cited
  • 1948The Forty-Eight Preludes and Fugues of J.S .Bach8 cited
  • 2004Statistics in Musicology6 cited

Cited by

  • 2020A comparative statistical analysis of music styles (seventeenth–nineteenth centuries)3 cited

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