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Música de fronteira, música de memória: o experimentalismo de DJs pela Semiótica da Cultura
6 references·0 citing·19 second hop
Música de fronteira, música de memória: o experimentalismo de DJs pela Semiótica da Cultura (2019)Música de fronteira, música de memória: o…O sonho do nixi pae. A arte do MAHKU – Movimento dos Artistas Huni Kuin (2015)O sonho do nixi pae. A arte d…Apropriações de Sites de Redes Sociais em Cenas de Música Eletrônica: Distinção, Sociabilidade e Marcas Identitárias (2014)Apropriações de Sites de Rede…Remix Theory: The Aesthetics of Sampling (2012)Remix Theory: The Aesthetics …Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities (2001)Genres, Subgenres, Sub-Subgen…Generation Ecstasy: Into the World of Techno and Rave Culture (1998)Generation Ecstasy: Into the …Desire in Language: A Semiotic Approach to Literature and Art (1981)Desire in Language: A Semioti…Identity construction on Facebook: Digital empowerment in anchored relationships (2008)Cultural consumption practices of visitors to the National Museum / UFRJ in social networks (2023)The Field of Cultural Production: Essays on Art and Literature (1996)Club Cultures: Music, Media and Subcultural Capital (1997)Performing rites: on the value of popular music (1997)Classification as Culture: Types and Trajectories of Music Genres (2008)Nor-tec Rifa! (2008)Repertoires of distinction (2009)Por que canta o Mahku – Movimento dos Artistas Huni Kuin? (2017)PENSAMENTOS DE QUINTAL (2022)Language and Sexuality (2003)The Network Paradigm in Organizational Research: A Review and Typology (2003)Suspending Damage: A Letter to Communities (2009)Remix Culture and English Language Teaching: The Expression of Learner Voice in Digital Multimodal Compositions (2015)Gesturing Indigenous Futurities Through the Remix (2016)Unfreezing Creativity: A Dynamic Micro-longitudinal Approach (2019)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed (2011)
this work references cited by second hop

References

  • 1981Desire in Language: A Semiotic Approach to Literature and Art3,077 cited
  • 1998Generation Ecstasy: Into the World of Techno and Rave Culture336 cited
  • 2012Remix Theory: The Aesthetics of Sampling173 cited
  • 2001Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities146 cited
  • 2015O sonho do nixi pae. A arte do MAHKU – Movimento dos Artistas Huni Kuin8 cited
  • 2014Apropriações de Sites de Redes Sociais em Cenas de Música Eletrônica: Distinção, Sociabilidade e Marcas Identitárias3 cited

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