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“Where You Are Accepted, You Blossom”: Toward Care Ethics in Jazz Historiography
6 references·2 citing·26 second hop
“Where You Are Accepted, You Blossom”: Toward Care Ethics in Jazz Historiography (2019)“Where You Are Accepted, You Blossom”: To…Tenter, rentrer, rester : les trois défis des femmes instrumentistes de jazz (2008)Tenter, rentrer, rester : les…Big Ears: Listening for Gender in Jazz Studies (2008)Big Ears: Listening for Gende…Big Ears (2008)Big EarsFemmes du jazz (2007)Femmes du jazzQueer Phenomenology (2006)Queer Phenomenology“Mary Lou Williams Plays Like a Man!” Gender, Genius, and Difference in Black Music Discourse (2005)“Mary Lou Williams Plays Like…Jazz Education after 2017: The Berklee Institute of Jazz and Gender Justice and the Pedagogical Lineage (2021)Jazz Education after 2017: Th…Femmes et jazz dans le Québec de l’entre-deux-guerres : entre le récit historique, les archives et le passé* (2017)Femmes et jazz dans le Québec…The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions (2008)IDENTITY FOR SALE: (2008)Improvisation and Social Aesthetics (2017)Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians (2000)Women and Men at Work (2002)Du vent dans le ciel de plomb ? L’accès des femmes aux professions supérieures, XIXe–XXe siècles (2009)The barrier and the stained-glass ceiling. Analyzing female careers in religious organizations (2010)“I LOVE TO PLAY THE BIMBO SOMETIMES WITH ATHLETES” (2012)Gender and the Musical Canon (1994)Music, Gender, Education (1997)Babylon girls: black women performers and the shaping of the modern (2009)The Nonperformativity of Antiracism (2006)The Undercommons: Fugitive Planning & Black Study (2013)Black Feminism Reimagined (2018)Making music modern : New York in the 1920s (2000)Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce (2002)Queer Encounters in the Music of Billy Strayhorn (2013)Semiotic Dimensions of Creativity (2014)Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach (2016)Black Women Working Together: Jazz, Gender, and the Politics of Validation (2014)"Le plafond de verre dans tous ses éclats". La féminisation des professions supérieures au xxe siècle (2009)Artist, Craftsman, Teacher: “Being a Musician” in France and Switzerland (2017)Touching Distance: Gender, Germanness, and the Gaze in Angelina Maccarone's Fremde Haut (2005) (2011)Practice in the Flesh of Theory: Art, Research, and the Fine Arts PhD (2012)Intersections of Race, Gender, and Sexuality (2015)
this work references cited by second hop

References

  • 2006Queer Phenomenology691 cited
  • 2007Femmes du jazz134 cited
  • 2008Big Ears78 cited
  • 2008Big Ears: Listening for Gender in Jazz Studies77 cited
  • 2008Tenter, rentrer, rester : les trois défis des femmes instrumentistes de jazz51 cited
  • 2005“Mary Lou Williams Plays Like a Man!” Gender, Genius, and Difference in Black Music Discourse37 cited

Cited by

  • 2021Jazz Education after 2017: The Berklee Institute of Jazz and Gender Justice and the Pedagogical Lineage4 cited
  • 2017Femmes et jazz dans le Québec de l’entre-deux-guerres : entre le récit historique, les archives et le passé*3 cited

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