SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Pętle, sample i podbicia: techniki kompozycji i struktura utworu hip-hopowego
16 references·0 citing·36 second hop
Pętle, sample i podbicia: techniki kompozycji i struktura utworu hip-hopowego (2014)Pętle, sample i podbicia: techniki kompoz…Languages of Global Hip Hop (2013)Languages of Global Hip HopGroove music: the art and culture of the hip-hop DJ (2013)Groove music: the art and cul…Subculture (2010)Subculture‘How do you know he's not playing Pac-Man while he's supposed to be DJing?’: technology, formats and the digital future of DJ culture (2010)‘How do you know he's not pla…Book of Rhymes: The Poetics of Hip Hop (2009)Book of Rhymes: The Poetics o…Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)Unlocking the Groove: Rhythm,…Praat : doing phonetics by computer (version 4.4.24) (2006)Praat : doing phonetics by co…Sound Clash (2004)Sound ClashMeaning and membership: samples in rap music, 1979–1995 (2004)Meaning and membership: sampl…End-Accented Phrases: An Analytical Exploration (2003)End-Accented Phrases: An Anal…Rap music and the poetics of identity (2000)Rap music and the poetics of …Meter and Grouping in African Music: A View from Music Theory (2000)Meter and Grouping in African…“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)“The Chain Remain the Same” C…Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Rhythm, Rhyme, and Rhetoric i…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…The Fine Art of Rap (1991)The Fine Art of RapRockin' the boat: mass music and mass movements (1993)Black Noise: Rap Music and Black Culture in Contemporary America (1995)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Misogyny in Rap Music (2009)English with an Accent (2012)Global Pop, Local Language (2003)Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe (2003)Global Englishes and Transcultural Flows (2006)Language, multiple authenticities and social media: The online language practices of university students in Mongolia (2015)Modeling world Englishes from the perspective of language contact (2016)Unequal translingual Englishes in the Asian peripheries (2016)The Black Atlantic: Modernity and Double Consciousness (1994)Beyond geography's visible worlds: a cultural politics of music (1997)Popular Culture as Oppositional Culture: Rap as Resistance (1997)Aspects of the Music/Text Relationship in Rap (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)Garage band or GarageBand®? Remixing musical futures (2010)Formal Functions of Metric Dissonance in Rock Music (2014)Beats, flesh, and grain: sonic tactility and affect in electronic dance music (2015)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Weighted Constraints in Generative Linguistics (2009)Analyzing Speech to Detect Financial Misreporting (2011)Effects of Second Language Pronunciation Teaching Revisited: A Proposed Measurement Framework and Meta‐Analysis (2019)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)From Kinship to Link‐up (2005)Beyond the `Sexualization of Culture' Thesis: An Intersectional Analysis of `Sixpacks',`Midriffs' and `Hot Lesbians' in Advertising (2009)The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene (2010)Character, Narrator, and Simile in the Iliad (2011)Global Ill-Literacies (2011)From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam (2016)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 2010Subculture1,268 cited
  • 2006Praat : doing phonetics by computer (version 4.4.24)1,104 cited
  • 2000Rap music and the poetics of identity499 cited
  • 2006Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music375 cited
  • 2004Sound Clash305 cited
  • 1997“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation267 cited
  • 2009Book of Rhymes: The Poetics of Hip Hop258 cited
  • 1995Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy245 cited
  • 2013Languages of Global Hip Hop141 cited
  • 2000Meter and Grouping in African Music: A View from Music Theory131 cited
  • 2010‘How do you know he's not playing Pac-Man while he's supposed to be DJing?’: technology, formats and the digital future of DJ culture88 cited
  • 2004Meaning and membership: samples in rap music, 1979–199582 cited
  • 2003End-Accented Phrases: An Analytical Exploration79 cited
  • 2013Groove music: the art and culture of the hip-hop DJ76 cited
  • 1991The Fine Art of Rap

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

61 cited

Cited by

No citing works inside the corpus for this window.