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Resistance Through Charisma: Rita Hayworth and Gilda
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Resistance Through Charisma: Rita Hayworth and Gilda (1978)Resistance Through Charisma: Rita Haywort…In Defence of Disco (2017)In Defence of DiscoIntroduction: Gender, Sexuality, and the Soundtrack (2012)Introduction: Gender, Sexuali…The Big Seduction: Feminist Film Criticism and the Femme Fatale (2010)The Big Seduction: Feminist F…Fatal Femininity in Post-War British Film: Investigating the British Femme (2010)Fatal Femininity in Post-War …Jouissance and Desire in Michael Haneke's The Piano Teacher (2005)Jouissance and Desire in Mich…Women with a Mission (2003)Women with a MissionThere’s Something Queer Here (1995)There’s Something Queer HereResponsibilities of a Gay Film Critic (1995)Responsibilities of a Gay Fil…Lesbians and Film (1995)Lesbians and FilmIn Living Color (1995)In Living ColorCommodity Lesbianism (1995)Commodity LesbianismAll Dressed Up But No Place to Go? (1995)All Dressed Up But No Place t…The Queer Voice in "Marnie" (1993)The Queer Voice in "Marnie""It's Only That I Do What I Love and Love What I Do": "Film Noir" and the Musical Woman (1993)"It's Only That I Do What I L…Freud's "Fetishism" and the Lesbian Dildo Debates (1992)Freud's "Fetishism" and the L…“Crisscross”: Paranoia and Projection in Strangers on a Train (1991)“Crisscross”: Paranoia and Pr…Desperately Seeking Difference (1987)Sexual Indifference and Lesbian Representation (1988)Fashion and the Homospectatorial Look (1992)Unheard melodies: narrative film music (1988)Gender Trouble: Feminism and the Subversion of Identity (1991)Audio-vision: sound on screen (1994)Film-Music Theory (2016)The Composer and the Studio (2016)Visual Pleasure and Narrative Cinema (1975)Women in Film Noir (1980)Boxed in: Women and Television (1988)The enigma of woman : woman in Freud's writings (1985)The Sublime Object of Ideology (1989)Queer Visibility In Commodity Culture (1995)Adventures with the “Plastic Man”: Sex Toys, Compulsory Heterosexuality, and the Politics of Women’s Sexual Pleasure (2013)Notes from the Back Room: Gender, Power, and (In)Visibility in Women's Experiences of Masturbation (2013)Gender trouble: feminism and the subversion of identity (1990)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Out and About: Geographies of Lesbian Landscapes* (1995)Identity : community, culture, difference (2003)Lipstick or Timberlands? Meanings of Gender Presentation in Black Lesbian Communities (2006)Lesbian and gay parents and their children: Research on the family life cycle. (2010)"Meeting Two Queens": Feminist Film-Making, Identity Politics, and the Melodramatic Fantasy (1995)I Feel Love: Disco and Its Discontents (2008)On emotions and salsa: some thoughts on dancing to rethink consumers (2010)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Ghosted Images: Old Lesbians on Screen (2015)Resistance in hopeles’: Assimilating queer theory (1999)
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  • 1992Freud's "Fetishism" and the Lesbian Dildo Debates84 cited
  • 1993The Queer Voice in "Marnie"59 cited
  • 2017In Defence of Disco49 cited
  • 1991“Crisscross”: Paranoia and Projection in Strangers on a Train37 cited
  • 2012Introduction: Gender, Sexuality, and the Soundtrack29 cited
  • 1995Lesbians and Film28 cited
  • 2003Women with a Mission27 cited
  • 1995All Dressed Up But No Place to Go?23 cited
  • 1995There’s Something Queer Here21 cited
  • 1995Commodity Lesbianism17 cited
  • 1995Responsibilities of a Gay Film Critic16 cited
  • 2005Jouissance and Desire in Michael Haneke's The Piano Teacher14 cited
  • 1993"It's Only That I Do What I Love and Love What I Do": "Film Noir" and the Musical Woman14 cited
  • 1995In Living Color12 cited
  • 2010The Big Seduction: Feminist Film Criticism and the Femme Fatale11 cited
  • 2010Fatal Femininity in Post-War British Film: Investigating the British Femme9 cited

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