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The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses
9 references·5 citing·39 second hop
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this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2016Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database207 cited
  • 2009A note on the characterization of bismuth black by Raman microspectroscopy158 cited
  • 2012Application of spectroscopic techniques to the study of illuminated manuscripts: A survey75 cited
  • 2009Investigation of the painting materials and techniques of the late‐15th century manuscript illuminator Jean Bourdichon55 cited
  • 2019A multipurpose X-ray fluorescence scanner developed for in situ analysis46 cited
  • 2015Mining for Color: New Blues, Yellows, and Translucent Paint36 cited

Cited by

  • 2021“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination23 cited
  • 2022The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience17 cited
  • 2022The AIRES-CH Project: Artificial Intelligence for Digital REStoration of Cultural Heritages Using Nuclear Imaging and Multidimensional Adversarial Neural Networks12 cited
  • 2022

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Use of standard analytical tools to detect small amounts of smalt in the presence of ultramarine as observed in 15th-century Venetian illuminated manuscripts
11 cited
  • 2022Mapping with Macro X-ray Fluorescence Scanning of Raffaello’s Portrait of Leo X11 cited