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Timbre as Harmony—Harmony as Timbre
10 references·1 citing·31 second hop
Timbre as Harmony—Harmony as Timbre (2019)Timbre as Harmony—Harmony as TimbreKeys to Play: Music as a Ludic Medium from Apollo to Nintendo (2016)Keys to Play: Music as a Ludi…The Oxford Dictionary of Music (2012)The Oxford Dictionary of MusicUnderstanding the art of sound organization (2008)Understanding the art of soun…The Revolution of Complex Sounds (2005)The Revolution of Complex Sou…Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Tone and Voice: A Derivation …The Atonal Music of Arnold Schoenberg 1908–1923 (2000)The Atonal Music of Arnold Sc…In Quest of Spirit: Thoughts on Music (1999)In Quest of Spirit: Thoughts …Defining timbre — Refining timbre (1994)Defining timbre — Refining ti…Timbre and harmony: Interpolations of timbral structures (1987)Timbre and harmony: Interpola…Timbre and composition ‐ timbre and language (1987)Timbre and composition ‐ timb…Melody on the Threshold in Spectral Music (2021)Melody on the Threshold in Sp…Spectro-morphology and Structuring Processes (1986)Companion to contemporary musical thought (1993)The analysis of electroacoustic music: Introduction (1998)TOWARDS A HOLOPHONIC MUSICAL TEXTURE (2005)Beats, flesh, and grain: sonic tactility and affect in electronic dance music (2015)Traité des objets musicaux (2022)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The New Grove dictionary of music and musicians (2001)The Geometry of Musical Chords (2006)Embodying Music (2011)A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)Musicians' Attitudes to Musical Influence (2011)La creatividad en la educación musical actual: revisión desde los niveles escolares y la formación del profesorado (2023)The Creative Process inTraiettoria: An Account of the Genesis of Marco Stroppa's Musical Thought (2011)Spectral Music and the Appeal to Nature (2018)Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores (2006)A corpus analysis of timbre semantics in orchestration treatises (2018)A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception (2022)Continuous Transformations (2004)Blues Lives: Promise and Perils of Musical Copyright (2008)In Search of Universal Properties of Musical Scales (2011)Yella gal: Eartha Kitt’s racial modulations (2018)Tape: Or, Rewinding the Phonographic Regime (2017)Play and Aesthetics in Ancient Greece (2019)After Debussy (2020)Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 1880 (2017)The Cambridge History of Modernism (2017)Tonality as Topic (2017)Messiaen and Deleuze (2008)Music, Theosophical spirituality, and empire: the British modernist composers Cyril Scott and John Foulds (2008)Are Spiritual Experiences through Music Seen as Intrinsic or Extrinsic? (2014)
this work references cited by second hop

References

  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 2016Keys to Play: Music as a Ludic Medium from Apollo to Nintendo129 cited
  • 2012The Oxford Dictionary of Music116 cited
  • 1987Timbre and harmony: Interpolations of timbral structures106 cited
  • 2000The Atonal Music of Arnold Schoenberg 1908–1923106 cited
  • 1994Defining timbre — Refining timbre103 cited
  • 1987Timbre and composition ‐ timbre and language66 cited
  • 2008Understanding the art of sound organization47 cited
  • 2005The Revolution of Complex Sounds35 cited
  • 1999In Quest of Spirit: Thoughts on Music22 cited

Cited by

  • 2021Melody on the Threshold in Spectral Music5 cited

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