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Un art rupestre paléolithique au-delà de l’Oural ?
8 references·1 citing·35 second hop
Un art rupestre paléolithique au-delà de l’Oural ? (2018)Un art rupestre paléolithique au-delà de …Archaeomorphological Mapping (2018)Archaeomorphological MappingEngineers of the Arnhem Land plateau: Evidence for the origins and transformation of sheltered spaces at Nawarla Gabarnmang (2017)Engineers of the Arnhem Land …Some comparisons of the Paleolithic cave art between the Urals and Western Europe (2015)Some comparisons of the Paleo…An Experimental Study of Percussion Technologies in the Minusinsk Basin: Percussion and Tool Types1 (2014)An Experimental Study of Perc…The social construction of caves and rockshelters: Chauvet Cave (France) and Nawarla Gabarnmang (Australia) (2013)The social construction of ca…Apports de la géomorphologie dans l’aménagement et la construction sociale de sites préhistoriques. Exemples de la grotte Chauvet-Pont-d’Arc (France) et de Nawarla Gabarnmang (Australie) (2012)Apports de la géomorphologie …Fariseu: new chronological evidence for open-air Palaeolithic art in the Côa valley (Portugal) (2008)Fariseu: new chronological ev…Petroglyphs of the Ukok Plateau (2007)Petroglyphs of the Ukok Plate…Qurta Rock Art: Cultural Exchange in the Mediterranean (2025)Qurta Rock Art: Cultural Exch…Петроглифы Средней и Центральной Азии (1980)Мир петроглифов Монголии (1984)Red marals at Satakular in the Alai (2011)Sacred Imagery and Ritual Landscape: New Discoveries at the Biluut Petroglyph Complex in the Mongolian Altai (2014)Rock Art of Siberia: Baikal and Transbaikal Regions (2018)In pursuit of the past : decoding the archaeological record (1983)The Constitution of Society. Outline of the Theory of Structuration (1984)Par-delà la nature et la culture (2001)Establishment of occupation chronicles in Grotte Mandrin using sooted concretions: Rethinking the Middle to Upper Paleolithic transition (2017)Unravelling the skills and motivations of Magdalenian artists in the depths of Atxurra Cave (Northern Spain) (2023)From archival historiography to 3D modelling: An accurate reconstruction of the Palaeolithic landscape in El Castillo Cave to explore the spatial dynamics of hand stencil dispersion (2025)Grafismo mueble en el Valle de Côa (Vila Nova de Foz Côa, Portugal): la estación arqueológica de Fariseu (2002)Fariseu: first confirmed open-air Palaeolithic parietal art site in the Côa Valley (Portugal) (2006)Conservation of the Côa Valley rock art outcrops: a question of urgency and priorities (2009)We will be known by the tracks we leave behind: Exotic lithic raw materials, mobility and social networking among the Côa Valley foragers (Portugal) (2012)Quartz use in the absence of flint: Middle and Upper Palaeolithic raw material economy in the Côa Valley (North-eastern Portugal) (2015)A 28,000 year old excavated painted rock from Nawarla Gabarnmang, northern Australia (2012)The Origins of Ground-edge Axes: New Findings from Nawarla Gabarnmang, Arnhem Land (Australia) and Global Implications for the Evolution of Fully Modern Humans (2012)Nawarla Gabarnmang (Terre d’Arnhem, Australie) (2018)When did Homo sapiens first reach Southeast Asia and Sahul? (2018)45,610–52,160 years of site and landscape occupation at Nawarla Gabarnmang, Arnhem Land plateau (northern Australia) (2019)Prehistoric Art in the Gebel el-Akhdar (Cyrenaica) (1965)Colonising With Style: Reviewing The Nexus Between Rock Art, Territoriality And The Colonisation And Occupation Of Sahul (1992)First evidence of Pleistocene rock art in North Africa: securing the age of the Qurta petroglyphs (Egypt) through OSL dating (2011)Classification of Anthropomorphic Images in Karakol Rock Art Based on Formal-Typological Parameters (2026)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)Early Neanderthal constructions deep in Bruniquel Cave in southwestern France (2016)Illuminating the cave, drawing in black: wood charcoal analysis at Chauvet-Pont d'Arc (2018)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2021)Le bison de La Grèze (Marquay, Dordogne, France) sous le microscope (2016)Technological parameters of rock art at the Kalgutinsky Rudnik site on the Ukok Plateau, Russian Altai region (2020)Tools Used in Tagar Rock Art: Findings of an Experimental Traceological Study (2022)CAVE — SANCTUARY — MYTH: INTERPRETATION CRITERIA FOR THE UPPER PALEOLITHIC DECORATED CAVES IN THE URALS (2022)Ancestral Connections: Re-Evaluating Concepts of Superimpositioning and Vandalism in Rock Art Studies (2025)Evolution and Uses of Rock Art Sites: Contribution of Morphogenic Mapping of Rock Walls (2026)
this work references cited by second hop

References

  • 2013The social construction of caves and rockshelters: Chauvet Cave (France) and Nawarla Gabarnmang (Australia)52 cited
  • 2012Apports de la géomorphologie dans l’aménagement et la construction sociale de sites préhistoriques. Exemples de la grotte Chauvet-Pont-d’Arc (France) et de Nawarla Gabarnmang (Australie)19 cited
  • 2017Engineers of the Arnhem Land plateau: Evidence for the origins and transformation of sheltered spaces at Nawarla Gabarnmang19 cited
  • 2014An Experimental Study of Percussion Technologies in the Minusinsk Basin: Percussion and Tool Types113 cited
  • 2018Archaeomorphological Mapping12 cited
  • 2007Petroglyphs of the Ukok Plateau9 cited
  • 2008Fariseu: new chronological evidence for open-air Palaeolithic art in the Côa valley (Portugal)7 cited
  • 2015Some comparisons of the Paleolithic cave art between the Urals and Western Europe3 cited

Cited by

  • 2025Qurta Rock Art: Cultural Exchange in the Mediterranean1 cited

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