SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Petroglyphs as ‘contraptions’ – animacy and vitalist technologies in a Bronze Age archipelago
15 references·6 citing·44 second hop
Petroglyphs as ‘contraptions’ – animacy and vitalist technologies in a Bronze Age archipelago (2019)Petroglyphs as ‘contraptions’ – animacy a…Re-cut rock art images (with a special emphasis on ship carvings) (2017)Re-cut rock art images (with …Prehistoric Rock Art in Scandinavia: Agency and Environmental Change (2015)Prehistoric Rock Art in Scand…12 What Do Things Want? Object Design as a Middle Range Theory of Material Culture (2015)12 What Do Things Want? Objec…Rock Art and Seascapes in Uppland (2012)Rock Art and Seascapes in Upp…‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People (2011)‘Rock-art’, ‘Animism’ and Two…Vibrant Matter (2010)Vibrant MatterStill water, hidden depths: the deposition of Bronze Age metalwork in the English Fenland (2010)Still water, hidden depths: t…Changing pictures: rock art traditions and visions in Northern Europe (2010)Changing pictures: rock art t…Image and Audience (2009)Image and AudienceRethinking the animate, re-animating thought (2006)Rethinking the animate, re-an…Art and Agency : A Reassessment (2003)Art and Agency : A Reassessme…The Shore Connection. Cognitive Landscape and Communication with Rock Carvings in Northernmost Europe (1999)The Shore Connection. Cogniti…Art And Agency (1998)Art And AgencyWrapping in Images (1993)Wrapping in ImagesTHE POWER OF IMAGES (1989)THE POWER OF IMAGESPetroglyphs as petrofacts? Exploring the visibility and physicality of lines, furrows, and cavities in Bronze Age rock art (2026)Petroglyphs as petrofacts? Ex…The Bedrock of Rock Art: The Significance of Quartz Arenite as a Canvas for Rock Art in Central Sweden (2025)The Bedrock of Rock Art: The …“Everything begins with a dot” cupmarks, minerals and waters in South Scandinavian Bronze Age rock art (2025)“Everything begins with a dot…Rock Art, Modes of Existence, and Cosmopolitics: A View from the Southern Andes (2024)Rock Art, Modes of Existence,…Making Rock Art: Correspondences, Rhythms, and Temporalities (2022)Making Rock Art: Corresponden…Fantastic Beings and Where to Make Them ‒ Boats as Object-Beings in Bronze Age Rock Art (2019)Fantastic Beings and Where to…Writing Culture: The Poetics and Politics of Ethnography (1986)We have never been modern (1994)Reassembling the Social (2005)Is There Such a Thing as Animism? (2016)Rock Art and Ontology (2017)Goŋ Gurtha: Enacting response-abilities as situated co-becoming (2018)The Rites Of Passage (1961)Dramas, Fields, and Metaphors: Symbolic Action in Human Society (1975)Culture and Communication (1976)Roaring Rocks: An Audio-Visual Perspective on Hunter-Gatherer Engravings in Northern Sweden and Scandinavia (2002)The ship as symbol in the prehistory of Scandinavia and Southeast Asia (2004)Memory and Material Culture? (2007)Word and Object (1960)A Critique of Alfred Gell on Art and Agency (2004)Art as a Mode of Action (2009)The Ontological Turn: An Anthropological Exposition (2016)Course in General Linguistics (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Faces in the Clouds (1993)The Perception of the Environment (2002)Earth, sky, wind, and weather (2007)Bindings against Boundaries: Entanglements of Life in an Open World (2008)Human geographies of climate change: Landscape, temporality, and lay knowledges (2010)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)Ritual and Rationality: Some Problems of Interpretation in European Archaeology (1999)The Prehistory of Britain and Ireland (2007)The Siting of Metalwork Hoards in the Bronze Age of South-East England (2010)Ritual and Domestic Life in Prehistoric Europe (2012)Random accumulation and breaking: The formation of Bronze Age scrap hoards in England and Wales (2018)The Prehistory of Britain and Ireland (2019)Art and Agency An Anthropological Theory (1998)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)Visual essentialism and the object of visual culture (2003)Toward an Ecology of Materials (2010)Wet Ontologies, Fluid Spaces: Giving Depth to Volume through Oceanic Thinking (2015)A Theoretical Framework for the Critical Posthumanities (2018)Anchoring the (Postmodern) Self? Body Modification, Fashion and Identity (1999)Inscribing the Body (2004)The cultural biography of objects (1999)Reading the Past (2003)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)Gesture and performance in Comanche rock art (2013)Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges (2014)Transforming the Rocks – Time and Rock Art in Bohuslän, Sweden (2017)
this work references cited by second hop

References

  • 2010Vibrant Matter7,118 cited
  • 1998Art And Agency3,452 cited
  • 1989THE POWER OF IMAGES1,053 cited
  • 2006Rethinking the animate, re-animating thought640 cited
  • 1993Wrapping in Images239 cited
  • 2003Art and Agency : A Reassessment130 cited
  • 2009Image and Audience107 cited
  • 1999The Shore Connection. Cognitive Landscape and Communication with Rock Carvings in Northernmost Europe107 cited
  • 2011‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People103 cited
  • 2010Still water, hidden depths: the deposition of Bronze Age metalwork in the English Fenland76 cited
  • 2010Changing pictures: rock art traditions and visions in Northern Europe55 cited
  • 2012Rock Art and Seascapes in Uppland49 cited
  • 201512 What Do Things Want? Object Design as a Middle Range Theory of Material Culture44 cited
  • 2015Prehistoric Rock Art in Scandinavia: Agency and Environmental Change31 cited
  • 2017Re-cut rock art images (with a special emphasis on ship carvings)31 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2019Fantastic Beings and Where to Make Them ‒ Boats as Object-Beings in Bronze Age Rock Art8 cited
  • 2022Making Rock Art: Correspondences, Rhythms, and Temporalities5 cited
  • 2024Rock Art, Modes of Existence, and Cosmopolitics: A View from the Southern Andes3 cited
  • 2025“Everything begins with a dot” cupmarks, minerals and waters in South Scandinavian Bronze Age rock art2 cited
  • 2025The Bedrock of Rock Art: The Significance of Quartz Arenite as a Canvas for Rock Art in Central Sweden1 cited
  • 2026Petroglyphs as petrofacts? Exploring the visibility and physicality of lines, furrows, and cavities in Bronze Age rock art0 cited