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The rhetoric of sexuality in the age of Brahms and Wagner
16 references·1 citing·29 second hop
The rhetoric of sexuality in the age of Brahms and Wagner (2019)The rhetoric of sexuality in the age of B…Defining the Term 'Absolute Music' Historically (2009)Defining the Term 'Absolute M…Aesthetics and Music (2007)Aesthetics and MusicHysterical Men: War, Psychiatry, and the Politics of Trauma in Germany 1890-1930 (2004)Hysterical Men: War, Psychiat…The Tristan Chord: Wagner and Philosophy (2001)The Tristan Chord: Wagner and…The Cambridge History of Nineteenth-Century Music (2001)The Cambridge History of Nine…Absolute Music and the Construction of Meaning (1999)Absolute Music and the Constr…The Romantic Generation (1995)The Romantic GenerationNihilism Before Nietzsche (1995)Nihilism Before NietzscheGender and the Musical Canon (1994)Gender and the Musical CanonFlesh and the Ideal: Winckelmann and the Origins of Art History (1994)Flesh and the Ideal: Winckelm…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Wagnerism in European Culture and Politics (1985)Wagnerism in European Culture…The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (1981)The Madwoman in the Attic: Th…Fin-de-Siecle Vienna: Politics and Culture (1981)Fin-de-Siecle Vienna: Politic…Between Romanticism and Modernism (1980)Between Romanticism and Moder…German liberalism in the nineteenth century (1978)German liberalism in the nine…Brahms's Elegies (2019)Brahms's ElegiesA paradigm shift in the conceptualization of psychological trauma in the 20th century (2006)The Great War in history: debates and controversies, 1914 to the present (2006)The Historic Origins of Military and Veteran Mental Health Stigma and the Stress Injury Model as a Means to Reduce It (2009)Virtuosity and the Musical Work (2003)Music, Culture and Social Reform in the Age of Wagner (2010)The Cambridge History of Music Criticism (2019)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Space-form and the acousmatic image (2007)Why does country music sound white? Race and the voice of nostalgia (2007)Toward a Phenomenology of Domestic, Family Violence (1984)Three Women's Texts and a Critique of Imperialism (1985)American Literary Emergence as a Postcolonial Phenomenon (1992)Female Pianists and Their Male Critics in Nineteenth-Century Paris (1997)After Adorno : rethinking music sociology (2003)Sounds of Power: An Overview of Musical Instruments and Gender (2008)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Form, Program, and Metaphor in the Music of Berlioz (2009)A Cultural History of the Irish Novel, 1790–1829 (2011)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Partisan Competition, Growth, and the Franchise (2005)Nations Matter: Culture, History and the Cosmopolitan Dream (2007)The Diffusion of Revolution: ‘1848’ in Europe and Latin America (2009)Postmodernism and Excellence: The De‐differentiation of Economy and Culture (1992)The Public International Law Theory of Hans Kelsen: Believing In Universal Law (2010)The return of the gift: European history of a global idea (2011)The Dahlhaus Project and Its Extra-Musicological Sources (1991)The Cambridge History of Twentieth-Century English Literature (2005)
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References

  • 1981The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination1,339 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1981Fin-de-Siecle Vienna: Politics and Culture269 cited
  • 2001The Cambridge History of Nineteenth-Century Music232 cited
  • 1994Gender and the Musical Canon225 cited
  • 1995The Romantic Generation222 cited
  • 1978German liberalism in the nineteenth century218 cited
  • 2004Hysterical Men: War, Psychiatry, and the Politics of Trauma in Germany 1890-1930211 cited
  • 1999Absolute Music and the Construction of Meaning206 cited
  • 1980Between Romanticism and Modernism200 cited
  • 1985Wagnerism in European Culture and Politics156 cited
  • 2007Aesthetics and Music152 cited
  • 1995Nihilism Before Nietzsche150 cited
  • 1994Flesh and the Ideal: Winckelmann and the Origins of Art History115 cited
  • 2009Defining the Term 'Absolute Music' Historically106 cited
  • 2001The Tristan Chord: Wagner and Philosophy87 cited

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  • 2019Brahms's Elegies6 cited