SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Private Influence, Public Goods, and the Future of Art History
0 references·10 citing·34 second hop
Private Influence, Public Goods, and the Future of Art History (2019)Private Influence, Public Goods, and the …The fragility of cultural philanthropy: why private art museums close (2024)The fragility of cultural phi…Structural predictors of private museum founding (2024)Structural predictors of priv…Public art and private wealth: the controversial collaboration between the National Museum in Norway and Fredriksen Family Art Company Ltd (2024)Public art and private wealth…Private Art Museums in Paris: How France’s Luxury Titans Shape Urban Branding Through Iconic Architecture (2024)Private Art Museums in Paris:…Understanding Curators' Practices and Challenge of Making Exhibitions More Accessible for People with Visual Impairments (2023)Understanding Curators' Pract…The art of (self)legitimization: how private museums help their founders claim legitimacy as elite actors (2023)The art of (self)legitimizati…Private art museums and their local creative communities: A case study of Mona (2023)Private art museums and their…How online discourse networks fields of practice: The discursive negotiation of autonomy on art organisation about pages (2023)How online discourse networks…The global rise of private art museums a literature review (2022)The global rise of private ar…The Periphery Is Beautiful: The Rise of the Portuguese Contemporary Art Market in the 21st Century (2020)The Periphery Is Beautiful: T…Cosmopolitan Canvases (2015)A History of the Western Art Market (2017)Art and the Global Economy (2017)Canvases and Careers: Institutional Change in the French Painting World (1966)Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)Civilizing Rituals: Inside Public Art Museums. (1998)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Outline of a Theory of Practice (1977)Discourse and Social Change. (1993)The Field of Cultural Production (1994)Managing Legitimacy: Strategic and Institutional Approaches (1995)Capital in the Twenty-First Century (2014)Beyond Learning: Exploring Visitors' Perceptions of the Value and Benefits of Museum Experiences (2008)Method meets art: Arts‐based research practice (2009)What Do We Mean by "Accessibility Research"? A Literature Survey of Accessibility Papers in CHI and ASSETS from 1994 to 2019 (2021)Direct or Immersive? Comparing Smartphone-based Museum Guide Systems for Blind Visitors (2024)Understanding the Practice, Perception, and Challenge of Blind or Low Vision Students Learning Through Accessible Technologies in Non-Inclusive “Blind Colleges” (2025)Design for Inclusion: A Systematic Review of Technologies and Frameworks for Enhancing the Museum Experience of Blind and Low-Vision Visitors (2026)Cities and the Creative Class (2003)Qualitative Interviewing and Grounded Theory Analysis (2012)Social Research Methods (2016)Distinction: A Social Critique of the Judgement of Taste. (1985)Pierre Bourdieu, The Field of Cultural Production: Essays on Art and Literature (1996)Purity and Danger (2003)To receive and to give something back – director’s perspectives on public – private collaborations in Norwegian art museums (2024)Diversification of Revenue Strategies: Evolving Resource Dependence in Nonprofit Organizations (1999)Three Approaches to Qualitative Content Analysis (2005)Revenue Diversification in Nonprofit Organizations: Does it Lead to Financial Stability? (2008)Distinction. A Social Critique of the Judgement of Taste (1985)Public Goods and Ethnic Divisions (1999)A Literature Review of Empirical Studies of Philanthropy (2010)A Theory of Global Capitalism (2004)Planet of Slums (2006)Branding New York: how a city in crisis was sold to the world (2009)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2022The global rise of private art museums a literature review29 cited
  • 2023The art of (self)legitimization: how private museums help their founders claim legitimacy as elite actors17 cited
  • 2024The fragility of cultural philanthropy: why private art museums close7 cited
  • 2023Understanding Curators' Practices and Challenge of Making Exhibitions More Accessible for People with Visual Impairments7 cited
  • 2024Public art and private wealth: the controversial collaboration between the National Museum in Norway and Fredriksen Family Art Company Ltd6 cited
  • 2023Private art museums and their local creative communities: A case study of Mona6 cited
  • 2024Structural predictors of private museum founding4 cited
  • 2020The Periphery Is Beautiful: The Rise of the Portuguese Contemporary Art Market in the 21st Century4 cited
  • 2023How online discourse networks fields of practice: The discursive negotiation of autonomy on art organisation about pages3 cited
  • 2024Private Art Museums in Paris: How France’s Luxury Titans Shape Urban Branding Through Iconic Architecture2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work