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Ode to a dying God: Debasement of Christian symbols in extreme metal
10 references·0 citing·46 second hop
Ode to a dying God: Debasement of Christian symbols in extreme metal (2019)Ode to a dying God: Debasement of Christi…Eschewing Community: Black Metal (2014)Eschewing Community: Black Me…The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England (2012)The Construction of Heavy Met…Heavy metal as controversy and counterculture (2012)Heavy metal as controversy an…Extreme music for extreme people? (2012)Extreme music for extreme peo…Extreme music for extreme people? Norwegian black metal and transcendent violence (2012)Extreme music for extreme peo…“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music1 (2011)“Sons of Northern Darkness”: …‘Faith and Knowledge: The Two Sources of “Religion” at the Limits of Reason Alone’ (2010)‘Faith and Knowledge: The Two…Demons, devils and witches: The occult in heavy metal music (2009)Demons, devils and witches: T…Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)Heavy Metal Carnival and Dis‐…Death metal tonality and the act of listening (1999)Death metal tonality and the …Pornography, Men Possessing Women (1982)Running with the devil: power, gender, and madness in heavy metal music (1993)Extreme Metal: Music and Culture on the Edge (2006)Heavy metal figurations (2015)Global Online Subculture Surrounding School Shootings (2018)The Recording Industry as the Enemy? A Case Study of Early West German Metal Music (2021)The Invention of Tradition (1986)Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)– The Symbolic Construction of Community (2013)There is (almost) no alternative: the slow ‘heat death’ of music subcultures and the instrumentalization of contemporary leisure (2014)‘To Holmgard … and Beyond’: Folk metal fantasies and hegemonic white masculinities (2015)Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production (2021)The Constitution of Society. Outline of the Theory of Structuration (1984)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The Price of Rebellion: Gender Boundaries in the Death Metal Scene (2011)In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies (2012)Un(su)Stained Class? (2016)‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson (2000)Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene (2004)From Justified to Illogical: Discourses of (Self-)Censorship and Authenticity in the Case of Two Finnish Metal Bands (2017)Islamic Religion and Death Metal Music in Indonesia (2018)Religion and heavy metal music in Indonesia (2019)Analysis and Interpretation of Qualitative Data in Consumer Research (1994)Questions of Cultural Identity (1997)Outline of a Theory of Practice (2007)Dystopian dark tourism: An exploratory examination (2015)Consuming abjection: an examination of death and disgust in the black metal scene (2017)The unifying power of live music events: A systematic review of social outcomes for audience members (2025)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)The Ritual Process: Structure and Anti-Structure (1976)Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Putting the ‘studies’ back into metal music studies (2018)The Society of the Spectacle (2020)Club cultures: music, media and subcultural capital (1996)Heavy Metal: The Music And Its Culture (2009)“Burning the bridges”: escalation in the pursuit of authenticity (2022)Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence (2022)Birmingham’s Postindustrial Metal (2014)Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music (2017)‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)“The Fist in the Face of God” (2014)Norwegian black metal, transgression and sonic abjection (2019)Religious Nationalism and the Problem of Collective Representation (2001)Religion and/as Media (2005)Deconstructive aporias: quasi-transcendental and normative (2011)
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References

  • 2010‘Faith and Knowledge: The Two Sources of “Religion” at the Limits of Reason Alone’502 cited
  • 2006Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism116 cited
  • 1999Death metal tonality and the act of listening101 cited
  • 2012The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England92 cited
  • 2014Eschewing Community: Black Metal67 cited
  • 2012Extreme music for extreme people? Norwegian black metal and transcendent violence67 cited
  • 2012Heavy metal as controversy and counterculture65 cited
  • 2011“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music154 cited
  • 2009Demons, devils and witches: The occult in heavy metal music18 cited
  • 2012Extreme music for extreme people?16 cited

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