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Gilding Techniques in Religious Art Between East and West, 14th -18th Centuries
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Gilding Techniques in Religious Art Between East and West, 14th -18th Centuries (2010)Gilding Techniques in Religious Art Betwe…Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting (2023)Methodologies for the Charact…Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography (2021)Surface and Interface Investi…Evaluation of the condition of a Mamluk-illuminated paper manuscript at Al-Azhar Library, Egypt (2021)Evaluation of the condition o…Chemical Composition and Micro Morphology of Golden Laminae in the Wall Painting “La Maestà” by Simone Martini: A Study by Optical Microscopy, XRD, FESEM-EDS and ToF-SIMS (2019)Chemical Composition and Micr…Nondestructive Characterization and Enzyme Cleaning of Painted Surfaces: Assessment from the Macro to Nano Level (2013)Nondestructive Characterizati…An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal) (2013)An innovative, interdisciplin…The surface behavior of gilding layer imitations on polychrome artefacts of cultural heritage (2011)The surface behavior of gildi…Original treatises on the arts of painting (1967)Il libro dell'arte : o, Trattato della pittura (1987)Painted Wood: History and Conservation (2000)Gold Gilding and Pigment Identification on a Post-Byzantine Icon from Kastoria, Northern Greece (2012)Assessment of cleaning effectiveness for new ecological systems on ancient tempera icon by complementary microscopy techniques (2014)6th International Meeting on Retouching of Cultural Heritage. RECH6 (2021)Fluorescence of Paint and Varnish Layers (Part III) (1982)Ancient ‘gilded’ art objects from European cultural heritage: a review on different scales of characterization (2011)Painting Materials: A Short Encyclopedia (2011)Assessment of green cleaning effectiveness on polychrome surfaces by MALDI‐TOF mass spectrometry and microscopic imaging (2014)Bioremoval of marker pen inks by exploiting lipase hydrolysis (2017)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Identification of Proteins in Renaissance Paintings by Proteomics (2006)Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification (2015)Searching for blood in Chinese lacquerware: zhū xiě huī 豬 血 灰 (2016)Gildings from Andalusia: Materials used in different types of artworks along centuries (2017)Thirteenth century wall paintings under the Siena Cathedral (Italy). Mineralogical and petrographic study of materials, painting techniques and state of conservation (2006)Organic Mass Spectrometry in Art and Archaeology (2009)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Identification of pigments by multispectral imaging; a flowchart method (2014)Imaging Diagnostics Coupled with Non-Invasive and Micro-Invasive Analyses for the Restoration of Ethnographic Artifacts from French Polynesia (2022)Materials and Technique: The First Look at Saturnino Gatti (2023)Deacidification for the conservation and preservation of paper-based works: A review (2010)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Vegetable Tannins Used in the Manufacture of Historic Leathers (2018)Hybrid nanogels and their roles in eliminating soot stains from historical paper manuscripts (2024)Efficiency of gel poultices based on arbocel and carboxymethyl cellulose with nanoparticle additives for cleaning paper manuscripts (2026)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy of selected copper minerals of significance in corrosion (2003)
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  • 2013An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal)29 cited
  • 2021Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography29 cited
  • 2013Nondestructive Characterization and Enzyme Cleaning of Painted Surfaces: Assessment from the Macro to Nano Level23 cited
  • 2021Evaluation of the condition of a Mamluk-illuminated paper manuscript at Al-Azhar Library, Egypt22 cited
  • 2011The surface behavior of gilding layer imitations on polychrome artefacts of cultural heritage20 cited
  • 2023Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting11 cited
  • 2019Chemical Composition and Micro Morphology of Golden Laminae in the Wall Painting “La Maestà” by Simone Martini: A Study by Optical Microscopy, XRD, FESEM-EDS and ToF-SIMS11 cited

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