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The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types
12 references·8 citing·33 second hop
The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types (2019)The Ontology of Musical Versions: Introdu…What4′33″Is (2017)What4′33″IsWorks of Music (2007)Works of MusicThemes in the Philosophy of Music (2003)Themes in the Philosophy of M…Artworks as Historical Individuals (2003)Artworks as Historical Indivi…Introduction to a Philosophy of Music (2002)Introduction to a Philosophy …Anton Bruckner: Symphony No. 8 (2000)Anton Bruckner: Symphony No. 8Musorgsky: pictures at an exhibition (1993)Musorgsky: pictures at an exh…Universals: an opinionated introduction (1990)Universals: an opinionated in…Against structural universals (1986)Against structural universalsWhat a Musical Work Is (1980)What a Musical Work Is2. Ontological Relativity (1969)2. Ontological RelativityAesthetic Concepts (1959)Aesthetic ConceptsMusical Ontology: Works, Versions, and Lineages (2024)Musical Ontology: Works, Vers…Nested Types and Musical Flexibility (2023)Nested Types and Musical Flex…Musical Ontology and the Audibility of Musical Works (2023)Musical Ontology and the Audi…Interpretive Authenticity: Performances, Versions, and Ontology (2022)Interpretive Authenticity: Pe…Puy on ‘Nested Types’ (2021)Puy on ‘Nested Types’Nested Types and Musical Versions: Replying to Davies’s Challenges (2021)Nested Types and Musical Vers…Musical Works as Structural Universals (2021)Musical Works as Structural U…Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music (2020)Contextualizing Platonism and…The Problems of Philosophy (1999)Musical Works and Performances (2001)The Primacy of Practice in the Ontology of Art (2009)Art and its Objects (2015)Choreography Invisible (2020)There Are No Such Things As Theories (2020)Conversing with Cage (2003)Who's Afraid of Conceptual Art? (2009)Philosophy of the Performing Arts (2011)What 4′33″ also Is: A Response to Dodd (2018)Function essentialism about artifacts (2021)Situationsanalyse und ihre Mappingverfahren in musikpädagogischer Forschung: What’s new, what’s familiar? Bericht zum QFM-Forum auf dem AMPF 2021 (2022)The Metaphysics of Properties (1996)INTENTIONALISM AND PERCEPTUAL PRESENCE (2007)The Powers Metaphysic (2019)Particulars in Particular Clothing: Three Trope Theories of Substance (1994)On the Need for Properties: The Road to Pythagoreanism and Back (1997)How Superduper Does a Physicalist Supervenience Need to Be? (1999)Art and Intention (2005)How to have a radically minimal ontology (2009)Musical Understandings and Other Essays on the Philosophy of Music (2011)Musical improvisation skill in a prospective partner is associated with mate value and preferences, consistent with sexual selection and parental investment theory: Implications for the origin of music (2017)Descriptivism and Its Discontents (2017)The Metaphysics of Establishments (2019)Collaborative policymaking: governance through dialogue (2003)Deliberative Policy Analysis (2003)Pacific Philosophical Quarterly (2010)Slurring Perspectives (2013)Cognitive Penetration and Perception of Art (2014)The mechanism by which social media influencers persuade consumers: The role of consumers’ desire to mimic (2019)Musical Understanding, Musical Works, and Emotional Expression: Implications for education (2005)Seeing Dark Things (2008)Emotions Expressed and Aroused by Music (2010)
this work references cited by second hop

References

  • 1990Universals: an opinionated introduction863 cited
  • 19692. Ontological Relativity436 cited
  • 1959Aesthetic Concepts366 cited
  • 1986Against structural universals310 cited
  • 2002Introduction to a Philosophy of Music307 cited
  • 1980What a Musical Work Is258 cited
  • 2007Works of Music173 cited
  • 2003Artworks as Historical Individuals163 cited
  • 2003Themes in the Philosophy of Music122 cited
  • 2017What4′33″Is35 cited
  • 2000Anton Bruckner: Symphony No. 833 cited
  • 1993Musorgsky: pictures at an exhibition32 cited

Cited by

  • 2021Musical Works as Structural Universals26 cited
  • 2023Musical Ontology and the Audibility of Musical Works26 cited
  • 2022Interpretive Authenticity: Performances, Versions, and Ontology8 cited
  • 2020Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music7 cited
  • 2021Nested Types and Musical Versions: Replying to Davies’s Challenges

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4 cited
  • 2021Puy on ‘Nested Types’4 cited
  • 2024Musical Ontology: Works, Versions, and Lineages3 cited
  • 2023Nested Types and Musical Flexibility3 cited