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Pushing music: People’s continued will to archive versus Spotify’s will to make them explore
16 references·4 citing·47 second hop
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References

  • 2005Reassembling the Social16,760 cited
  • 2006Toward a Psychology of Human Agency3,453 cited
  • 1992Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity3,245 cited
  • 2000Music in Everyday Life2,710 cited
  • 2011When Flexible Routines Meet Flexible Technologies: Affordance, Constraint, and the Imbrication of Human and Material Agencies11,879 cited
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  • 2016Thinking critically about and researching algorithms1,200 cited
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  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
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  • 2015The Playlist Experience: Personal Playlists in Music Streaming Services216 cited
  • 2016Algorithms (and the) everyday205 cited

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  • 2016Algorithmically recognizable: Santorum’s Google problem, and Google’s Santorum problem177 cited
  • Cited by

    • 2020Ubiquitous tunes, virtuous archiving and catering for algorithms: the tethered affairs of people and music streaming services32 cited
    • 2021Fra plate til plattform23 cited
    • 2024Sad Girls on TikTok: Musical and Multimodal Participatory Practices as Affective Negotiations of Ordinary Feelings and Knowledges in Online Music Cultures14 cited
    • 2025A song for each moment: Identifying listening modes as reflexive practices in music streaming3 cited