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Instrumental and vocal teachers in the United Kingdom: demographic characteristics, educational pathways, and beliefs about qualification requirements
16 references·6 citing·42 second hop
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this work references cited by second hop

References

  • 2006Using thematic analysis in psychology193,725 cited
  • 1976School Teacher: A Sociological Study.6,372 cited
  • 2001Accessing Hidden and Hard-to-reach Populations: Snowball Research Strategies2,027 cited
  • 2009The Work of Teaching and the Challenge for Teacher Education1,674 cited
  • 2021Curriculum Theory and Practice779 cited
  • 1977The curriculum : theory and practice679 cited
  • 2009One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal students255 cited
  • 2008Understanding the Classical Music Profession: The Past, the Present and Strategies for the Future211 cited
  • 1990A Biographical Study of the Life-Span Development of Professional Musicians207 cited
  • 2007One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal teachers168 cited
  • 2012Supporting conservatoire students towards professional integration: one-to-one tuition and the potential of mentoring123 cited
  • 2003Teachers' beliefs about effective instrumental teaching in schools and higher education96 cited
  • 2005A degree of independence: teachers' approaches to instrumental tuition in a university college91 cited
  • 2009A generative model of teachers’ thinking on musical creativity87 cited
  • 2010

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Three Characteristics of Effective Teachers
77 cited
  • 2008Sources of Pedagogical Content Knowledge68 cited
  • Cited by

    • 2020Experiences of developing pre-performance routines with recreational pianists12 cited
    • 2020From student to professional: recent conservatoire graduates’ experiences of instrumental teaching12 cited
    • 2021Instrumental teaching as ‘the noblest and the most under-praised job’: multiple case studies of three Hong Kong instrumental teachers8 cited
    • 2024Challenging Classical Music’s Genre Conventions: Findings from a Project on Youth Voice in Instrumental Education5 cited
    • 2024Saxophone Players’ Self-Perceptions About Body Movement in Music Performing and Learning4 cited
    • 2023Students as teachers: A study of UK undergraduate music students’ experiences and perceptions of instrumental and singing teaching2 cited