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Cited by

• 2011Jazz and the Disconnected: City Structural Disconnectedness and the Emergence of a Jazz Canon, 1897–1933104 cited
• 2008Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–192985 cited
• 2012American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-193833 cited
• 2018Expert improvisers’ formal, informal and situated influences on learning, motivation and self-efficacy: a qualitative study17 cited
• 2008Swing Along16 cited
• 1995Revisiting Fletcher Henderson's "Copenhagen"9 cited
• 1971The Jazz Tradition9 cited
• 2013The role of indigenous weddings songs in modern times8 cited
• 2014Expressiveness in Jazz Performance5 cited
• 2018The Cambridge Encyclopedia of Brass Instruments5 cited
• 2014Creativity in Jazz5 cited
• 2012The American Stravinsky: the style and aesthetics of Copland's new American music, the early works, 1921-19385 cited
• 2016The Danzón, North American Racial Discourses, and Reflections on Early Jazz4 cited
• 2014The land of suites: Ellington and extended form3 cited
• 2007