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Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius

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1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
2017On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments185 cited
2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
2008Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings140 cited
2012Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh132 cited
2015Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses94 cited
2006Leaching studies on naturally weathered potash-lime–silica glasses81 cited
2013SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions66 cited
2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings64 cited

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