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What is a Collector? From the Giants of Collecting to Small Amateurs: their Respective Contributions to Victorian Collections of Islamic Art
7 references·0 citing·13 second hop
What is a Collector? From the Giants of Collecting to Small Amateurs: their Respective Contributions to Victorian Collections of Islamic Art (2018)What is a Collector? From the Giants of C…Private Collecting, Exhibitions, and the Shaping of Art History in London (2017)Private Collecting, Exhibitio…Explorations in Connected History: Mughals and Franks (2005)Explorations in Connected His…The Holland Park circle: artists and Victorian society (2000)The Holland Park circle: arti…Discovering Islamic art : scholars, collectors and collections, 1850-1950 (2000)Discovering Islamic art : sch…The contribution of C. D. E. Fortnum to the historiography and collecting of Islamic ceramics (1999)The contribution of C. D. E. …Shopping for South Kensington. Fortnum and Henry Cole in Florence 1858-1859 (1999)Shopping for South Kensington…Art and the Victorian middle class: money and the making of cultural identity (1997)Art and the Victorian middle …A Most Ingenious Paradox: The Market for Contemporary Fine Art (1998)Reconstructing Ancient Worlds: Reception Studies, Archaeological Representation and the Interpretation of Ancient Egypt (2014)Personal business: character and commerce in Victorian literature and culture (2015)Definición, usos e historiografía de la miniatura-retrato = Definition, Uses and Historiography of Portrait Miniature (2018)The Purchase of the Past (2020)Inter-Imperiality (2013)Puzzlement of a déjà vu: Illuminaries of the global South (2019)The Idea of Semitic Monotheism (2021)The Plastic Eye: The Politics of Jewish Representation in Moroccan Museums (2010)The Mongol Empire in World History: The State of the Field (2013)Frameworks of Islamic Art and Architectural History (2017)Lost Treasures, Lost Histories, Lost Memories: Reconstructing the Interiors of Lord Frederic Leighton's Studio-House (2011)‘This Is the Sort of Fame for Which I Have Given My Life’: G. F. Watts, Edward Lear and Portraits of Fame and Nonsense (2013)
this work references cited by second hop

References

  • 2005Explorations in Connected History: Mughals and Franks190 cited
  • 1997Art and the Victorian middle class: money and the making of cultural identity124 cited
  • 2000Discovering Islamic art : scholars, collectors and collections, 1850-195048 cited
  • 2000The Holland Park circle: artists and Victorian society38 cited
  • 2017Private Collecting, Exhibitions, and the Shaping of Art History in London18 cited
  • 1999Shopping for South Kensington. Fortnum and Henry Cole in Florence 1858-185914 cited
  • 1999The contribution of C. D. E. Fortnum to the historiography and collecting of Islamic ceramics4 cited

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