References

• 2012On Touching—the Inhuman That Therefore I Am760 cited
• 1991Peirce on signs : writings on semiotic417 cited
• 1977Notes on the Index: Seventies Art in America228 cited
• 2004The marble faun: Or, The romance of Monte Beni,113 cited
• 2004PLENARY SESSION II. Digital Aestethics. What’s the Point of an Index? or, Faking Photographs95 cited
• 2008WHAT’S THE POINT OF AN INDEX? OR, FAKING PHOTOGRAPHS83 cited
• 2004Casting Life, Recasting Experience: Bernard Palissy's Occupation between Maker and Nature49 cited
• 2014Casts, Imprints, and the Deathliness of Things: Artifacts at the Edge46 cited
• 2018Becoming Property: Art, Theory, and Law in Early Modern France38 cited
• 2010Nature and Art, Making and Knowing: Reconstructing Sixteenth-Century Life-Casting Techniques36 cited
• 2014A sisterhood of sculptors: American artists in nineteenth-century Rome31 cited
• n.d.From skeleton to skin the making of the Greek Slave(s)26 cited
• 2016Roman Death Masks and the Metaphorics of the Negative24 cited
• 2019Domenico Brucciani and the Formatori of Nineteenth-Century Britain22 cited
• 2008The meaning of photography21 cited