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The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts
16 references·0 citing·33 second hop
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References

  • 2004The body of the artisan: art and experience in the scientific revolution300 cited
  • 2024The Stones of Venice207 cited
  • 2013Conservation of Easel Paintings185 cited
  • 1993The rainbow makers: the origins of the synthetic dyestuffs industry in western Europe159 cited
  • 2013Pre-Raphaelitism and the Pre-Raphaelite Brotherhood137 cited
  • 2002The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 With Reference to Selected Eighteenth-Century Sources95 cited
  • 1915The Chemistry of Paints and Painting64 cited
  • 2005G.F. Watts: the last great Victorian47 cited
  • 1995Later nineteenth century pigments: Evidence for additions and substitutions43 cited
  • 2005Men at Work: Art and Labour in Victorian Britain42 cited
  • 1994The Rainbow Makers: The Origins of the Synthetic Dyestuffs Industry in Western Europe42 cited
  • 2009The Life, Letters and Work of Frederic Leighton38 cited
  • 2014Texture in Film37 cited
  • 1999Looking through Paintings: The Study of Painting Techniques and Materials in Support of Art Historical Research28 cited
  • 1993Authenticity and adulteration: What materials were 19th century artists really using?27 cited

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  • 1892The Chemistry of Paints and Painting.20 cited
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