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From CEMA to the Arts Council: Cultural Authority, Participation and the Question of ‘Value’ in Early Post-war Britain
16 references·4 citing·41 second hop
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References

  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 1981The Social Production of Art662 cited
  • 1995Cultural studies and cultural value461 cited
  • 2002Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental cultural policies and social impact studies in the UK434 cited
  • 1995Cultural politics: class, gender, race and the postmodern world273 cited
  • 2019The class ceiling256 cited
  • 2017Creative justice: cultural industries, work and inequality244 cited
  • 2001Lifelong Education211 cited
  • 2016Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey210 cited
  • 2008Class and Cultural Division in the UK203 cited
  • 2020The Class Ceiling: Why it Pays to be Privileged202 cited
  • 2001Lifelong education188 cited
  • 2018The participative turn in cultural policy: Paradigms, models, contexts171 cited
  • 2018Whose cultural value? Representation, power and creative industries158 cited
  • 2016Everyday participation and cultural value129 cited
  • 2015The participation myth

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117 cited

Cited by

  • 2019Cultural Ecologies: Policy, Participation and Practices5 cited
  • 2021Cultural closure and social mobility: a critical examination of festival governance structures as exclusive social spaces5 cited
  • 2025We must talk: audience pluralisation as a regenerative path to the management of cultural disagreement5 cited
  • 2022Legitimating cultural policy after the 2008 crisis: learnings from France, the UK, Spain and Greece4 cited