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Highlife music without alcohol? Interrogating the concept of gospel highlife in Ghana and Nigeria
10 references·3 citing·41 second hop
Highlife music without alcohol? Interrogating the concept of gospel highlife in Ghana and Nigeria (2019)Highlife music without alcohol? Interroga…Tradition, Innovations, and Modernity in the Music of the Edo of Nigeria: Toward a Theory of Progressive Traditionalism (2018)Tradition, Innovations, and M…'Singing with Understanding': the Story of Gospel Music in Ghana (2006)'Singing with Understanding':…Ghanaian Christianity and Popular Entertainment: Full Circle (2004)Ghanaian Christianity and Pop…An Introduction to Theories of Popular Culture (2004)An Introduction to Theories o…Music and social identity: Stylistic identification as a response to musical style (2002)Music and social identity: St…Pentecostals after a century: global perspectives on a movement in transition (1999)Pentecostals after a century:…Charismatic/Pentecostal Appropriation of Media Technologies in Nigeria and Ghana (1998)Charismatic/Pentecostal Appro…Popular Arts in Africa (1987)Popular Arts in AfricaThe Context of Social Psychology: A Critical Assessment. (1975)The Context of Social Psychol…The Music of Black Americans: A History (1971)The Music of Black Americans:…Trends in Stylistic Developments of Nigerian Highlife Music (2022)Trends in Stylistic Developme…Music and Spirituality in Africa: Gospel Music, Spirituality, and Everyday Meaning-Making in Nigeria (2022)Music and Spirituality in Afr…‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria (2021)‘Are there Marlians in the Bu…CULTURE AND SOCIETY (1959)Six Guns and Society: A Structural Study of the Western. (1976)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Images of Women?s Sexuality in Advertisements: A Content Analysis of Black- and White-Oriented Women?s and Men?s Magazines (2005)3.2. MARXISM AND LITERATURE (2006)Victual Vicissitudes: Consumer Deskilling and the (Gendered) Transformation of Food Systems (2006)Anthropology and Mass Media (1993)‘Delivered from the powers of darkness’: confessions of satanic riches in Christian Ghana (1995)ALTAR MEDIA'S LIVING WORD : TELEVISED CHARISMATIC CHRISTIANITY IN GHANA (2003)Religion and/as Media (2005)DISPLACING VIOLENCE: Making Pentecostal Memory in Postwar Sierra Leone (2007)The Arabesk Debate (1992)English and American Adolescents' Reasons for Listening to Music (2000)The importance of music to adolescents (2000)Exploring a rationale for choosing to listen to sad music when feeling sad (2011)University students’ strong experiences of music (2011)Music Congruity Effects on Product Memory, Perception, and Choice (2015)Occult economies and the violence of abstraction: notes from the South African postcolony (1999)Songs of pain and hope: HIV and AIDS in Zimbabwean Music (2008)The Politics of Trans-Saharan Transit Migration in the Maghreb: Ghanaian Migrants in Libya, c.1980 - 2012 (2013)Occult Economies and the Violence of Abstraction: Notes from the South African Postcolony (2020)Music career and sustainability: the strategies of a hiplife musician (2023)The Social Life of Things (1986)Explorations in Animist Materialism: Notes on Reading/Writing African Literature, Culture, and Society (2003)The African Imagination in Music (2016)When Fuji goes viral: social media, sustainability, and the digital afterlife of Saheed Osupa’s Jòkòó Síbẹ (2025)Pancultural self-enhancement. (2003)Beyond self-esteem: Influence of multiple motives on identity construction. (2006)Social Identity, Health and Well‐Being: An Emerging Agenda for Applied Psychology (2008)Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in the Global Cultural Economy (1990)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)As origens norte-americanas do pentecostalismo brasileiro: observações sobre uma relação ainda pouco avaliada (2005)Pentecostal and Charismatic Movements in a Global Perspective (2010)African Pentecostalism (2014)Sounds of Change and Reform: The Appropriation of Gospel Music and Dance in Political Discourses in Kenya (2008)The civic and public roles of neo-pentecostal churches in Kenya (1970- 2010) (2014)The Ritualization of the Self in Ghanaian Gospel Music (2014)Music Scenes to Music Clusters: The Economic Geography of Music in the US, 1970–2000 (2010)The Digital Barbershop: Blogs and Online Oral Culture Within the African American Community (2016)Loving Music Till It Hurts (2019)
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References

  • 2004An Introduction to Theories of Popular Culture833 cited
  • 1987Popular Arts in Africa539 cited
  • 1975The Context of Social Psychology: A Critical Assessment.493 cited
  • 1971The Music of Black Americans: A History231 cited
  • 1998Charismatic/Pentecostal Appropriation of Media Technologies in Nigeria and Ghana189 cited
  • 2002Music and social identity: Stylistic identification as a response to musical style103 cited
  • 1999Pentecostals after a century: global perspectives on a movement in transition38 cited
  • 2006'Singing with Understanding': the Story of Gospel Music in Ghana30 cited
  • 2004Ghanaian Christianity and Popular Entertainment: Full Circle22 cited
  • 2018Tradition, Innovations, and Modernity in the Music of the Edo of Nigeria: Toward a Theory of Progressive Traditionalism14 cited

Cited by

  • 2022Music and Spirituality in Africa: Gospel Music, Spirituality, and Everyday Meaning-Making in Nigeria15 cited
  • 2021‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria5 cited
  • 2022Trends in Stylistic Developments of Nigerian Highlife Music3 cited

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