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A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue
16 references·5 citing·50 second hop
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References

  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2010In situ Raman and IR spectroscopic analysis of indigo dye133 cited
  • 2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
  • 2014Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of medieval miniatures materials83 cited
  • 1992A Note on the Use of False-Color Infrared Photography in Conservation78 cited
  • 2013Pigments and Mixtures Identification by Visible Reflectance Spectroscopy73 cited
  • 2012Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces65 cited
  • 2008Portable Equipment for Luminescence Lifetime Measurements on Surfaces54 cited
  • 2017Identifying eighteenth century pigments at the Bodleian library using in situ Raman spectroscopy, XRF and hyperspectral imaging52 cited
  • 2018A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods50 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2018Red and blue colours on 18th–19th century Japanese woodblock prints: In situ analyses by spectrofluorimetry and complementary non-invasive spectroscopic methods41 cited
  • 2017A complete Raman study of common acid red dyes: application to the identification of artistic materials in polychrome prints

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40 cited
  • 2018Colours and pigments in late ukiyo-e art works: A preliminary non-invasive study of Japanese woodblock prints to interpret hyperspectral images using in-situ point-by-point diffuse reflectance spectroscopy37 cited
  • 2001The Shogun's Painted Culture: Fear and Creativity in the Japanese States 1760-182931 cited
  • 2005Scientific research on the pictorial arts of Asia : proceedings of the second Forbes Symposium at the Freer Gallery of Art26 cited
  • Cited by

    • 2020Integrating liquid chromatography mass spectrometry into an analytical protocol for the identification of organic colorants in Japanese woodblock prints27 cited
    • 2020Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis24 cited
    • 2020Revealing the colours of ukiyo-e prints by short wave infrared range hyperspectral imaging (SWIR)20 cited
    • 2020Non-invasive identification of pigments in Japanese coloured photographs18 cited
    • 2021Monitoring UV-accelerated alteration processes of paintings by means of hyperspectral micro-FTIR imaging and chemometrics16 cited