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Site and sound : understanding independent music scenes
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Site and sound : understanding independent music scenes (2003)Site and sound : understanding independen…Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Platform pop: disentangling S…Signifying DIY: Process-Oriented Aesthetics in 1990s Alternative Rock and Hip-Hop (2019)Signifying DIY: Process-Orien…A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)A Scene Without A Name: Indie…Theory and Ethnography of Affective Participation at DIY Shows in U.S. (2018)Theory and Ethnography of Aff…Scene ‘Theory’: History, Usage and Influence (2016)Scene ‘Theory’: History, Usag…DJ Mini and Montreal’s Vulgar Dance Music (2016)DJ Mini and Montreal’s Vulgar…Mixing in Feminism (2015)Mixing in FeminismScene but Not Heard: Collecting Local Music (2013)Scene but Not Heard: Collecti…Authenticity as a form of worth (2013)Authenticity as a form of wor…The Swedish Model: Balancing Markets and Gifts in the Music Industry (2011)The Swedish Model: Balancing …Technology Adoption and Use in the Aftermath of Hurricane Katrina in New Orleans (2010)Technology Adoption and Use i…Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy (2009)Processes of institutionalisa…Trade mark registered: Sponsorship within the Australian Indie music festival scene (2008)Trade mark registered: Sponso…New potentials for "independent" music : social networks, old and new, and the ongoing struggles to reshape the music industry (2008)New potentials for "independe…Does indie mean independence? Freedom and restraint in a late 1990s US college radio community (2008)Does indie mean independence?…‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene (2008)‘You've got to go to gigs to …Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (1990)Bodies That Matter (2011)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)Brand Community (2001)In Search of Authenticity* (2005)Music Genres and Corporate Cultures (2010)Woodstock 2019: The Spirit of Woodstock in the Post-risk Era (2019)The Hidden Musicians: Music-Making in an English Town (1989)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Brand value: how affective labour helps create brands (2013)North from here: the collaboration networks of Finnish metal music genre superstars (2017)The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry (2021)Radio reader: essays in the cultural history of radio (2002)Radio Reader: Essays in the Cultural History of Radio (2003)Something in the air : radio, rock, and the revolution that shaped a generation (2007)Reviewing Net-only College Radio: A Case Study of Brooklyn College Radio (2010)Circulation, Value, Exchange, and Music (2020)HIPSTERS VERSUS POSERS: FANNISH SPLIT IN THE INDIE MUSIC WORLD (2021)Central Problems in Social Theory (1979)The Logic of Practice (1990)On Justification (2006)Questioning worth: selling out in the music industry (2017)New synergies between the podcast and music industries: Spotify plays the rhythm (2022)Why did Trump call prayers politically correct? 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(1992)The internet and value co-creation: the case of the popular music industry (2013)Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics (2013)Exchange and Power in Social Life (2017)Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)The politics of ‘platforms’ (2010)The Platform Society (2018)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Music in business and management studies: a systematic literature review and research agenda (2023)Sound Tracks: Popular Music Identity and Place (2002)Music Scenes: Local, Translocal, and Virtual. 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  • 2020Platform pop: disentangling Spotify’s intermediary role in the music industry88 cited
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  • 2008‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene40 cited
  • 2008Does indie mean independence? Freedom and restraint in a late 1990s US college radio community32 cited
  • 2015Mixing in Feminism26 cited
  • 2013Authenticity as a form of worth19 cited
  • 2008Trade mark registered: Sponsorship within the Australian Indie music festival scene18 cited
  • 2009Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy10 cited
  • 2013Scene but Not Heard: Collecting Local Music9 cited
  • 2019A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century7 cited
  • 2016DJ Mini and Montreal’s Vulgar Dance Music6 cited
  • 2018Theory and Ethnography of Affective Participation at DIY Shows in U.S.6 cited
  • 2008New potentials for "independent" music : social networks, old and new, and the ongoing struggles to reshape the music industry

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6 cited
  • 2016Scene ‘Theory’: History, Usage and Influence5 cited
  • 2019Signifying DIY: Process-Oriented Aesthetics in 1990s Alternative Rock and Hip-Hop5 cited