SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti
8 references·1 citing·39 second hop
Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti (2019)Clay and alunite-rich materials in painti…Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem (2019)Transmission and Reflection M…Analytical and mathematical methods for revealing hidden details in ancient manuscripts and paintings: A review (2019)Analytical and mathematical m…Non-invasive analysis of a 15th century illuminated manuscript fragment: point-based vs imaging spectroscopy (2018)Non-invasive analysis of a 15…Microanalysis of clay-based pigments in paintings by XRD techniques (2015)Microanalysis of clay-based p…Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Mobile depth profiling and su…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…Caravaggio's painting technique : proceedings of the CHARISMA workshop (2012)Caravaggio's painting techniq…A Short History of Technology from the Earliest Times to A.D. 1900 (1961)A Short History of Technology…Multitechnique diagnostic analysis and 3D surveying prior to the restoration of St. Michael defeating Evil painting by Mattia Preti (2021)Multitechnique diagnostic ana…Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography (2014)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Clay and iron oxide pigments in the history of painting (2003)Non-destructive synchrotron X-ray diffraction mapping of a Roman painting (2005)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment (2012)Analytical investigation into materials and technique: Carved lacquer decorated panel from Fuwangge in the Forbidden City of Qianlong Period, Qing Dynasty (2017)Study on colored pattern pigments of a royal Taoist temple beside the Forbidden City (Beijing, China) (2017)Clay Minerals in European Painting of the Mediaeval and Baroque Periods (2020)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Micro-XRF analysis of a Brazilian polychrome sculpture (2019)On the use of EDXRF and UV–Vis FORS to unveil the production of two illuminated manuscripts from the fifteenth century portuguese royal court (2019)Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography (2021)Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis (1998)A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value (2003)Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts (2020)Nondestructive Evaluation of Heritage Object Coatings with Four Hyperspectral Imaging Systems (2021)Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigment Compendium (2008)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius (2019)Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning (2019)Two Pathways for the Degradation of Orpiment Pigment (As 2 S 3 ) Found in Paintings (2023)Infrared Spectroscopy in Conservation Science (2000)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Preliminary Study of the Mural Paintings of Sotterra Church in Paola (Cosenza, Italy) (2022)From R&D management to knowledge management (2003)Crossing epistemological boundaries (2004)Sources of inventive novelty: two patent classification schemas, same story (2019)The crystallization of metal soaps and fatty acids in oil paint model systems (2016)A review of solvent action on oil paint (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)
this work references cited by second hop

References

  • 2013Conservation of Easel Paintings184 cited
  • 2013Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review119 cited
  • 2019Analytical and mathematical methods for revealing hidden details in ancient manuscripts and paintings: A review79 cited
  • 1961A Short History of Technology from the Earliest Times to A.D. 190044 cited
  • 2019Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem43 cited
  • 2018Non-invasive analysis of a 15th century illuminated manuscript fragment: point-based vs imaging spectroscopy33 cited
  • 2015Microanalysis of clay-based pigments in paintings by XRD techniques32 cited
  • 2012Caravaggio's painting technique : proceedings of the CHARISMA workshop2 cited

Cited by

  • 2021Multitechnique diagnostic analysis and 3D surveying prior to the restoration of St. Michael defeating Evil painting by Mattia Preti17 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work