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Steven Vande Moortele, The Romantic Overture and Musical Form from Rossini to Wagner, Cambridge: Cambridge University Press 2017
9 references·0 citing·25 second hop
Steven Vande Moortele, The Romantic Overture and Musical Form from Rossini to Wagner, Cambridge: Cambridge University Press 2017 (2019)Steven Vande Moortele, The Romantic Overt…Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache (2015)Synchron und diachron. Zum Zu…In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music (2011)In the Process of Becoming: A…Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Wordless Rhetoric: Musical Form and the Metaphor of the Oration (1994)Wordless Rhetoric: Musical Fo…Playing with Signs: A Semiotic Interpretation of Classic Music (1991)Playing with Signs: A Semioti…Musica poetica und musikalische Poesie (1966)Musica poetica und musikalisc…Mahler : eine musikalische Physiognomik (1960)Mahler : eine musikalische Ph…Biographie von Ludwig van Beethoven (1909)Biographie von Ludwig van Bee…The Symphonies of Johann Stamitz. A Study in the Formation of the Classic Style (1983)Theorizing Musical Meaning (2001)The orchestral revolution: Haydn and the technologies of timbre (2013)The Thematic Process in Music (1951)The Cambridge History of Western Music Theory (2002)Leben in metaphern : konstruktion und gebrauch von sprachbildern (2003)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Classical and Romantic Performing Practice (2025)Der Akademismus in der deutschen Musik des 19. Jahrhunderts (1976)On Compositional Process in the Fifteenth Century (1987)“At times even Homer nods off” (2008)From Gospel to Gates: Modal Blending in African-American Musical Discourse before the Signifyin(g) Monkey (2011)Intertextuality, Narrativity and Tradition: 8 Brazilian Piano Sonatas (2016)Mahler's "Todtenfeier" and the Problem of Program Music (1988)Can One Speak of Narrativity in Music? (1990)"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony (1996)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)Music, Modernity, and God (2013)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven699 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1991Playing with Signs: A Semiotic Interpretation of Classic Music332 cited
  • 2011In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music242 cited
  • 1909Biographie von Ludwig van Beethoven98 cited
  • 1960Mahler : eine musikalische Physiognomik68 cited
  • 1994Wordless Rhetoric: Musical Form and the Metaphor of the Oration29 cited
  • 1966Musica poetica und musikalische Poesie14 cited
  • 2015Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache2 cited

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