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Stanislavski’s system: mimesis, truth and verisimilitude
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Stanislavski’s system: mimesis, truth and verisimilitude (2019)Stanislavski’s system: mimesis, truth and…The Experiencing Self and the Remembering Self: Implications for Leisure Science (2016)The Experiencing Self and the…Stanislavski: The Basics (2013)Stanislavski: The BasicsClassical Literary Criticism (2010)Classical Literary CriticismAn Actor's Work (2008)An Actor's WorkStanislavski in Rehearsal (2001)Stanislavski in RehearsalStanislavsky in Focus: An Acting Master for the Twenty-First Century (1998)Stanislavsky in Focus: An Act…Mimesis: Culture--Art--Society (1997)Mimesis: Culture--Art--SocietyThe Moscow Art Theatre letters (1992)The Moscow Art Theatre lettersSources of Dramatic Theory 1: Plato to Congreve (1992)Sources of Dramatic Theory 1:…On the technique of acting (1953)On the technique of actingCastelvetro's Theory of Poetry. (1914)Castelvetro's Theory of Poetr…Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Thinking, Fast and Slow (2011)Regra do pico-fim e negligência com relação ao tempo: evidências de um experimento com hóspedes de um resort de praia (2019)The Effect of Performance Quality and Customer Education on Attitudinal Loyalty: A Cross-Country Study of Opera Festival Attendees (2019)Creative Discretion on the Frontline of Public Services: A Longitudinal Qualitative Digital Diary and Interview Study (2025)Children of the Queen's Revels (2005)Shakespeare and the Idea of the Book (2007)Horace and the Greek Lyric Poets (2021)Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)NOT ANIMAL, NOT NOT ‐ANIMAL: HUNTING, IMITATION AND EMPATHETIC KNOWLEDGE AMONG THE SIBERIAN YUKAGHIRS (2004)Authorship and Cultural Identity in Early Greece and China (2010)Twenty-first-century Russian actor training: Active Analysis in the UK (2011)Experiencing or pretending—are we getting to the core of Stanislavski's approach? (2012)A Fabricação do Teatro: questões e paradoxos (2013)Believable Robot Characters (2011)How geopolitical becomes personal: Method acting, war films and affect (2019)Rediscovering Stanislavsky (2019)The Cambridge introduction to theatre directing (2014)Acting: An altered state of consciousness (2001)Living in Alternative and Inner Worlds: Early Signs of Acting Talent (2009)Working with(out) a net: improvisational theater and enhanced well-being (2013)On habit and performer training (2018)Cultural transmission of actor training techniques: a research project (2019)The lived experience of actor training: Perezhivanie - A literature review (2022)MSP-IMPROV: An Acted Corpus of Dyadic Interactions to Study Emotion Perception (2016)Using our Heads and HARTSS*: Developing Perspective-Taking Skills for Socioscientific Reasoning (*Humanities, ARTs, and Social Sciences) (2016)A Conceptual Analysis of Perspective Taking in Support of Socioscientific Reasoning (2019)
this work references cited by second hop

References

  • 1997Mimesis: Culture--Art--Society328 cited
  • 2008An Actor's Work175 cited
  • 2010Classical Literary Criticism164 cited
  • 1998Stanislavsky in Focus: An Acting Master for the Twenty-First Century121 cited
  • 2016The Experiencing Self and the Remembering Self: Implications for Leisure Science66 cited
  • 1953On the technique of acting63 cited
  • 1992The Moscow Art Theatre letters38 cited
  • 2013Stanislavski: The Basics20 cited
  • 2001Stanislavski in Rehearsal12 cited
  • 1992Sources of Dramatic Theory 1: Plato to Congreve7 cited
  • 1914Castelvetro's Theory of Poetry.3 cited

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