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Melodrama and meaning: history, culture, and the films of Douglas Sirk
0 references·16 citing·49 second hop
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Cited by

  • 2000'A Real Shocker': Authenticity, genre and the struggle for distinction72 cited
  • 2004"My Kind of Campfire": The Eurovision Song Contest and Israeli Gay Men50 cited
  • 2008The Price of Heaven: Remaking Politics in All that Heaven Allows , Ali: Fear Eats the Soul , and Far from Heaven41 cited
  • 2007COMING AROUND AGAIN39 cited
  • 2004News, Reviews, Clues, Interviews and Other Ancillary Materials - a Critique and Research Proposal35 cited
  • 2007Hollywood Asian: Philip Ahn and the politics of cross-ethnic performance34 cited
  • 2007Encyclopedia of Gay and Lesbian Popular Culture21 cited
  • 2009Pitfalls of cross-cultural analysis: Chinesewenyifilm and melodrama20 cited
  • 2005Things Fall Apart: The Cinematic Rendition of Agrarian Landscape in South India18 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2003The Three Faces of Eve: The Post-war Housewife, Melodrama, and Home 115 cited
  • 2019From Sujata to Kachra: Decoding Dalit representation in popular Hindi cinema14 cited
  • 2007Para-Paracinema13 cited

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  • 2006'Poison' in the Sirkian system: the political agenda of Todd Haynes's 'Far From Heaven'12 cited
  • 2018Genre, Authorship and Contemporary Women Filmmakers12 cited