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Popular Music in Theory
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Popular Music in Theory (1996)Popular Music in TheoryConstructing diasporas : Turkish hip-hop youth in Berlin (2026)Constructing diasporas : Turk…Introduction (2016)IntroductionLive music and urban landscape: mapping the beat in Liverpool (2012)Live music and urban landscap…Authenticity Revisited: The Rock Critic and the Changing Real (2010)Authenticity Revisited: The R…Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands (2009)Social and symbolic boundarie…Whiteness and the Performance of Race in American Ballroom Dance (2007)Whiteness and the Performance…The Body in a State of Music (2007)The Body in a State of MusicEthno-National Pop-Rock Music (2007)Ethno-National Pop-Rock MusicA prescribed alternative mainstream: popular music and canon formation (2006)A prescribed alternative main…Recording Studios: Relational Spaces of Creativity in the City (2005)Recording Studios: Relational…‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco (2005)‘Some guy designed this room …Belonging and detachment (2002)Belonging and detachmentRock Music in American Schools: Positions and Practices Since the 1960s (2000)Rock Music in American School…Pop music radio in the public service: BBC Radio 1 and new music in the 1990s (2000)Pop music radio in the public…THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE (1999)THE MUSIC BUSINESS AND RAP: B…Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry (1998)Cultural production and the c…Subculture: The Meaning of Style (1995)Questions of Cultural Identity (1997)The Black Atlantic: Modernity and Double Consciousness. (1997)The Poetics of National and Racial Identity in Nineteenth-Century American Literature (2003)The symbolic consumption of music (2010)‘Gimme shelter’ (2014)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Dialogues on Whiteness, Leisure and (Anti)Racism (2009)Embracing Difference: Salsa Fever in New Jersey (2009)Salsa cosmopolitanism? Consuming racialised difference in the European social dance industry (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)How Institutions Think. (1988)The Field of Cultural Production (1994)The Study of Boundaries in the Social Sciences (2002)All that jazz: The success of jazz musicians in three metropolitan areas (2009)Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands (2010)Categorizing Categorization Research: Review, Integration, and Future Directions (2013)Running with the devil: power, gender, and madness in heavy metal music (1993)Performing Rites (1996)Performing rites: on the value of popular music (1997)Teaching popular music: Investigating music educators’ perceptions and preparation (2015)“Modern Band” as school music: A case study (2017)Popular Music Pedagogies: An Approach to Teaching 21st-Century Skills (2018)A Sociology of monsters: Essays on power, technology, and domination (1991)The Rise of the Creative Class (2002)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Sonic City: The Evolving Economic Geography of the Music Industry (2009)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)Material Inheritances: How Place, Materiality, and Labor Process Underpin the Path-dependent Evolution of Contemporary Craft Production (2015)The Long Revolution (1961)Anthropology as Cultural Critique (1999)The cultural economy: geography and the creative field (1999)A new map of Hollywood: the production and distribution of American motion pictures (2002)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Distinction: A Social Critique of the Judgement of Taste. (1985)The Black Atlantic: Modernity and Double Consciousness (1994)New Economy of Fandom (2014)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Representation: Cultural representations and signifying practices. (1997)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Racial Authenticity in Rap Music and Hip Hop (2008)Gender and Cultural Consecration in Popular Music (2010)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)A Theory of Structure: Duality, Agency, and Transformation (1992)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)A Cultural Globalization of Popular Music? American, Dutch, French, and German Popular Music Charts (1965 to 2006) (2011)Why Elites Love Authentic Lowbrow Culture: Overcoming High-Status Denigration with Outsider Art (2017)The McDonaldization of Society (1996)Popular music and youth culture: music, identity and place (2000)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)
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  • 2010Authenticity Revisited: The Rock Critic and the Changing Real125 cited
  • 1998Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry113 cited
  • 1999THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE101 cited
  • 2005Recording Studios: Relational Spaces of Creativity in the City65 cited
  • 2009Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands63 cited
  • 2000Rock Music in American Schools: Positions and Practices Since the 1960s60 cited
  • 2007Ethno-National Pop-Rock Music59 cited
  • 2002Belonging and detachment51 cited
  • 2016Introduction49 cited
  • 2007Whiteness and the Performance of Race in American Ballroom Dance49 cited
  • 2005‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco49 cited
  • 2000Pop music radio in the public service: BBC Radio 1 and new music in the 1990s45 cited
  • 2007The Body in a State of Music45 cited
  • 2012Live music and urban landscape: mapping the beat in Liverpool44 cited

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  • 2006A prescribed alternative mainstream: popular music and canon formation43 cited
  • 2026Constructing diasporas : Turkish hip-hop youth in Berlin36 cited