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Introduction: Songs that Sing the Crisis: Music, Words, Youth Narratives and Identities in Late Modernity
14 references·3 citing·39 second hop
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References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 2000Music in Everyday Life2,710 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 1990Lipstick traces: a secret history of the twentieth century591 cited
  • 2002Sound Tracks: Popular Music Identity and Place424 cited
  • 2000DiY Culture: Party and Protest in Nineties Britain244 cited
  • 2001Cultures of Popular Music241 cited
  • 2007Playing to the Crowd: The Role of Music and Musicians in Political Participation83 cited
  • 2013Women and Popular Music72 cited
  • 2018Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal64 cited
  • 2014Popular Protest Music and the 2011 Egyptian Revolution49 cited
  • 2014Music and more than music: The approach to difference and identity in the Portuguese punk38 cited
  • 2019DIY Cultures and Underground Music Scenes37 cited
  • 2007‘A soundtrack to the insurrection’: street music, marching bands and popular protest35 cited

Cited by

  • 2021El Rey: Diario de un Latin King10 cited
  • 2021

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‘People Have the Power’: Songs of Resistance in Late Modernity
3 cited
  • 2022ReXistências musicais entre arte e política3 cited