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On the Russian Concept of Lād, 1830–1945
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On the Russian Concept of Lād, 1830–1945 (2019)On the Russian Concept of Lād, 1830–1945The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory (2014)The Expansion of the Concept …The Concept of Mutability in Russian Theory (2014)The Concept of Mutability in …“On the System of Stravinsky’s Harmony” by Yuri Kholopov (2013)“On the System of Stravinsky’…Rethinking Octatonicism (2012)Rethinking OctatonicismCatching Up with Rimsky-Korsakov (2011)Catching Up with Rimsky-Korsa…Tonality (2001)TonalityRussian theorists on modality in Shostakovich's music (1995)Russian theorists on modality…The theory of music in Russia and the Soviet Union, ca. 1650--1950 (1988)The theory of music in Russia…Stravinsky's "Tonal Axis" (1982)Stravinsky's "Tonal Axis"Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation (2023)Abolitionist Music Theory and…Introduction to Special Issue: The Politics of Musical Knowledge in the Soviet Union and Beyond (1930s−1980s) (2020)Introduction to Special Issue…Conversations with Igor Stravinsky (1959)Expositions and Developments (1962)Stravinsky and the Russian Traditions (1996)A Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz (2014)Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords (2018)Yuri Kholopov and Twelve-Toneness (2020)Problems of Pitch Organization in Stravinsky (1963)On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality (2019)Studies on the Origin of Harmonic Tonality (1990)Defining Russia Musically (1997)Defining Russia Musically: Historical and Hermeneutical Essays (1998)Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 12 (2015)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Generalized Musical Intervals and Transformations (2007)An Octatonic History of Prokofiev’s Compositional Oeuvre (2018)Scriabin’s Atonal Problem (2018)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Building Blocks: Repetition and Continuity in the Music of Stravinsky (2012)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Special Collections (2016)The New Imperialism (2003)ON THE COLONIALITY OF BEING (2007)Red Skin, White Masks (2010)The “tselostnyĭ analiz” (holistic analysis) of Zuckerman and Mazel (2014)Topic Theory in Soviet Musicology (2022)Stravinsky's "Mass" and Stravinsky Analysis (1989)Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers (1991)Harmony and Voice Leading in the Music of Stravinsky (2014)The Cambridge Haydn Encyclopedia (2019)Tonality (2019)Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music (2021)
this work references cited by second hop

References

  • 2011Catching Up with Rimsky-Korsakov99 cited
  • 2001Tonality42 cited
  • 1982Stravinsky's "Tonal Axis"31 cited
  • 1988The theory of music in Russia and the Soviet Union, ca. 1650--195024 cited
  • 2012Rethinking Octatonicism16 cited
  • 1995Russian theorists on modality in Shostakovich's music15 cited
  • 2014The Concept of Mutability in Russian Theory13 cited
  • 2014The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory11 cited
  • 2013“On the System of Stravinsky’s Harmony” by Yuri Kholopov10 cited

Cited by

  • 2023Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation4 cited
  • 2020Introduction to Special Issue: The Politics of Musical Knowledge in the Soviet Union and Beyond (1930s−1980s)3 cited

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