References

• 2012Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa451 cited
• 2009Organic Mass Spectrometry in Art and Archaeology309 cited
• 2001Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts283 cited
• 2001Organic chemistry of embalming agents in Pharaonic and Graeco-Roman mummies221 cited
• 1997Fuel for thought? Beeswax in lamps and conical cups from Late Minoan Crete189 cited
• 2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
• 1995EVIDENCE FOR THE MIXING OF FATS AND WAXES IN ARCHAEOLOGICAL CERAMICS146 cited
• 2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
• 2005Direct exposure electron ionization mass spectrometry and gas chromatography/mass spectrometry techniques to study organic coatings on archaeological amphorae128 cited
• 2004Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures125 cited
• 2002Characterization of Archaeological Beeswax by Electron Ionization and Electrospray Ionization Mass Spectrometry122 cited
• 2003THE CHARACTERIZATION OF PAINTS AND WATERPROOFING MATERIALS FROM THE SHIPWRECKS FOUND AT THE ARCHAEOLOGICAL SITE OF THE ETRUSCAN AND ROMAN HARBOUR OF PISA (ITALY)*117 cited
• 2009