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A multi-analytical study of a wall painting in the Satyr domus in Córdoba, Spain
16 references·1 citing·38 second hop
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Potential confounding factors in ancient paint media analysis (2016)What do we know of Roman wall…An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain (2016)An innovative combination of …Pigments used in Roman wall paintings in the Vesuvian area (2010)Pigments used in Roman wall p…In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)In Situ Noninvasive Study of …‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments (2008)‘Green earths’: vibrational a…Raman microscopy in archaeological science (2004)Raman microscopy in archaeolo…Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures (2004)Characterisation of beeswax i…Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto (2004)Analysis of Roman age wall pa…An extensive colour palette in Roman villas in Burgos, Northern Spain: a Raman spectroscopic analysis (2004)An extensive colour palette i…Analysis of pigments from Roman wall paintings found in Vicenza (2003)Analysis of pigments from Rom…Characterization of Archaeological Beeswax by Electron Ionization and Electrospray Ionization Mass Spectrometry (2002)Characterization of Archaeolo…Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Chemical Alteration and Use o…Fabrication processes of archaeological Egyptian blue and green pigments enlightened by Raman microscopy and scanning electron microscopy (1999)Fabrication processes of arch…An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. 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References

  • 2004Raman microscopy in archaeological science351 cited
  • 2001Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts283 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2008‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments178 cited
  • 1983Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology151 cited
  • 1999An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France133 cited
  • 2004Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures125 cited
  • 2002Characterization of Archaeological Beeswax by Electron Ionization and Electrospray Ionization Mass Spectrometry122 cited
  • 2003Analysis of pigments from Roman wall paintings found in Vicenza121 cited
  • 2010Pigments used in Roman wall paintings in the Vesuvian area113 cited
  • 1999Fabrication processes of archaeological Egyptian blue and green pigments enlightened by Raman microscopy and scanning electron microscopy93 cited
  • 1995Spectrochemical and structural studies on a roman sample of Egyptian blue90 cited
  • 2004Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto90 cited

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  • 2004An extensive colour palette in Roman villas in Burgos, Northern Spain: a Raman spectroscopic analysis63 cited
  • 2016An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain55 cited
  • 2016What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis55 cited
  • Cited by

    • 2021Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach19 cited