SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
'Maisha yetu ya kila siku kama vile movie': Fantasy, desire and urban space in Tanzanian music videos
16 references·0 citing·39 second hop
'Maisha yetu ya kila siku kama vile movie': Fantasy, desire and urban space in Tanzanian music videos (2019)'Maisha yetu ya kila siku kama vile movie…Nollywood: Spectatorship, Audience and the Sites of Consumption (2017)Nollywood: Spectatorship, Aud…Presence, Agency and Popularity: Kenyan “Socialites”, Femininities and Digital Media (2016)Presence, Agency and Populari…The promise of happiness: desire, attachment and freedom in post/apartheid South Africa (2015)The promise of happiness: des…On “Visual Pleasure and Narrative Cinema” (2015)On “Visual Pleasure and Narra…Drive-In Socialism: Debating Modernities and Development in Dar es Salaam, Tanzania (2013)Drive-In Socialism: Debating …Hip Hop as Social Commentary in Accra and Dar es Salaam (2012)Hip Hop as Social Commentary …The Bongo Flava industry in Tanzania and artists' strategies for success (2011)The Bongo Flava industry in T…DANCEHALL POLITICS: MOBILITY, SEXUALITY, AND SPECTACLES OF RACIAL RESPECTABILITY IN LATE COLONIAL TANGANYIKA, 1930s–1961 (2011)DANCEHALL POLITICS: MOBILITY,…African film and video: pleasure, politics, performance (2010)African film and video: pleas…The Bantu Educational Kinema Experiment and the Struggle for Hegemony in British East and Central Africa, 1935–1937 (2009)The Bantu Educational Kinema …Making Love in the Indian Ocean (2009)Making Love in the Indian Oce…Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana (2009)Aesthetic of the Entrepreneur…Democratizing Cinema and Censorship in Tanzania, 1920-1980 (2005)Democratizing Cinema and Cens…URCHINS, LOAFERS AND THE CULT OF THE COWBOY: URBANIZATION AND DELINQUENCY IN DAR ES SALAAM, 1919–61 (2001)URCHINS, LOAFERS AND THE CULT…Preliminary notes on audiences in Africa (1997)Preliminary notes on audience…Black Spectatorship: Problems of Identification and Resistance (1988)Black Spectatorship: Problems…Millennial Capitalism: First Thoughts on a Second Coming (2000)African Modes of Self-Writing (2002)The State in Africa: The Politics of the Belly (2009)New Nollywood: A Sketch of Nollywood’s Metropolitan New Style (2015)Visual Pleasure and Narrative Cinema (1975)Desire in Narrative (1984)Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (1997)Exhibiting Cinema in Contemporary Art (2013)Engaging Characters (2022)Forms of talk (1981)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Cunning of Recognition (2002)Transnational circulation and digital fatigue in Ghana's Azonto dance craze (2013)Informal Institutions and Personal Rule in Urban Ghana (2014)A History of African Popular Culture (2017)On Unthinking Eurocentrism: Multiculturalism and the Media (1995)Unthinking Eurocentrism: Multiculturalism and the Media (1996)African Film and Literature (2009)Marxism and the philosophy of language (1973)Verbal Art as Performance1 (1975)Verbal Art as Performance (1986)Africa and orality (2000)Ethnography After Globalism: Migration And Emplacement In Malawi (2002)Africa since 1940 (2002)Performing the Nation: Swahili Music and Cultural Politics in Tanzania (2002)Africa since 1940: The Past of the Present (2004)THE AFFECTIVE, THE INTELLECTUAL, AND GENDER HISTORY (2014)“Dancing is Part and Parcel of Someone who is Cultured”: Ballroom Dancing and the Spaces of Urban Identity in 1950s Nairobi (2018)Parish Halls, Dance Halls, and Marquees: Developing and Regulating Social-Dance Spaces, 1900–60 (2019)Is this real? : die Kultur des HipHop (2003)HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’ (2012)TRADITIONAL DANCES AND BONGO FLEVA: A STUDY OF YOUTH PARTICIPATION IN NGOMA GROUPS IN TANZANIA (2013)FROM ‘MIGRANTS’ TO ‘REFUGEES’: IDENTITY, AID, AND DECOLONIZATION IN NGARA DISTRICT, TANZANIA (2015)Youth, the TANU Youth League and Managed Vigilantism in Dar es Salaam, Tanzania, 1925-73 (2006)“Their Days are Spent in Gambling and Loafing, Pimping for Prostitutes, and Picking Pockets”: Male Juvenile Delinquents on Lagos Island, 1920s-1960s (2009)A NEW TYPE OF CITIZEN: YOUTH, GENDER, AND GENERATION IN THE GHANAIAN BUILDERS BRIGADE (2012)Gender and culture of empire: Toward a feminist ethnography of the cinema (1991)Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic (2009)White Women, Race Matters (2010)
this work references cited by second hop

References

  • 2015On “Visual Pleasure and Narrative Cinema”544 cited
  • 1997Preliminary notes on audiences in Africa220 cited
  • 1988Black Spectatorship: Problems of Identification and Resistance171 cited
  • 2009Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana104 cited
  • 2011The Bongo Flava industry in Tanzania and artists' strategies for success94 cited
  • 2017Nollywood: Spectatorship, Audience and the Sites of Consumption84 cited
  • 2001URCHINS, LOAFERS AND THE CULT OF THE COWBOY: URBANIZATION AND DELINQUENCY IN DAR ES SALAAM, 1919–6156 cited
  • 2011DANCEHALL POLITICS: MOBILITY, SEXUALITY, AND SPECTACLES OF RACIAL RESPECTABILITY IN LATE COLONIAL TANGANYIKA, 1930s–196148 cited
  • 2010African film and video: pleasure, politics, performance37 cited
  • 2013Drive-In Socialism: Debating Modernities and Development in Dar es Salaam, Tanzania37 cited
  • 2015The promise of happiness: desire, attachment and freedom in post/apartheid South Africa31 cited
  • 2016Presence, Agency and Popularity: Kenyan “Socialites”, Femininities and Digital Media25 cited
  • 2012Hip Hop as Social Commentary in Accra and Dar es Salaam24 cited
  • 2005Democratizing Cinema and Censorship in Tanzania, 1920-198020 cited
  • 2009

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

The Bantu Educational Kinema Experiment and the Struggle for Hegemony in British East and Central Africa, 1935–1937
17 cited
  • 2009Making Love in the Indian Ocean12 cited
  • Cited by

    No citing works inside the corpus for this window.