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Adaptive Reuse of Colomadu Sugar Factory: Between Preserving Heritage and Social Media Setting
9 references·0 citing·51 second hop
Adaptive Reuse of Colomadu Sugar Factory: Between Preserving Heritage and Social Media Setting (2020)Adaptive Reuse of Colomadu Sugar Factory:…The Relationship of Exhibition Space Design and the Success of Delivering Messages to Museum Visitors in Jakarta (2017)The Relationship of Exhibitio…Using social media to stimulate history reflection in cultural heritage (2016)Using social media to stimula…Digitisation, digital interaction and social media: embedded barriers to democratic heritage (2016)Digitisation, digital interac…Adaptive reuse strategies for heritage buildings: A holistic approach (2016)Adaptive reuse strategies for…What Does the Selfie Say? Investigating a Global Phenomenon (2015)What Does the Selfie Say? Inv…Notes to self: the visual culture of selfies in the age of social media (2015)Notes to self: the visual cul…#selfie: digital self-portraits as commodity form and consumption practice (2015)#selfie: digital self-portrai…Reading the Visual: Representation and Narrative in the Construction of Heritage (2010)Reading the Visual: Represent…The Social Production of Heritage through Cross‐media Interaction: Making Place for Place‐making (2008)The Social Production of Heri…Illuminations: Essays and Reflections (1968)The Tourist: A New Theory of the Leisure Class. 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(2023)Planning for people in museum exhibitions (1993)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (1994)Interconnecting: museum visiting and exhibition design (2007)Subject-Object Engagement Study in Exhibition Spaces: A Comparison Between Taman Mini Indonesia Indah’s Pavilion and Indonesia Kaya Gallery (2019)Visitor's Response to the Technology-Based Interactive Displays and its Placement at the Museum in East Java (2021)Analysis of the visual cognition form on the digital exhibit labels to improve user experience: A case study of interpretative exhibitions in museums (2023)
this work references cited by second hop

References

  • 2015What Does the Selfie Say? Investigating a Global Phenomenon428 cited
  • 2016Adaptive reuse strategies for heritage buildings: A holistic approach385 cited
  • 2015Notes to self: the visual culture of selfies in the age of social media245 cited
  • 2016Digitisation, digital interaction and social media: embedded barriers to democratic heritage177 cited
  • 2015#selfie: digital self-portraits as commodity form and consumption practice119 cited
  • 2008The Social Production of Heritage through Cross‐media Interaction: Making Place for Place‐making97 cited
  • 2010Reading the Visual: Representation and Narrative in the Construction of Heritage33 cited
  • 2016Using social media to stimulate history reflection in cultural heritage16 cited
  • 2017The Relationship of Exhibition Space Design and the Success of Delivering Messages to Museum Visitors in Jakarta9 cited

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