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The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray
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  • 1995On Vivacity: The Difference between Daydreaming and Imagining-Under-Authorial-Instruction70 cited
  • 2011Shelley's Visual Imagination55 cited
  • 2001A Concert of Paintings: “Musical Ekphrasis” in the Twentieth Century48 cited
  • 2015Shakespeare and the Visual Imagination40 cited
  • 2007Before Your Very Eyes: PlinyEpistulae5.6 and the Ancient Theory of Ekphrasis40 cited
  • 1995Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship39 cited
  • 2006Visions of Jewish Modernism36 cited
  • 1997Imagining Flowers: Perceptual Mimesis (Particularly Delphinium)33 cited
  • 1990Garrick, iconic acting, and the ideologies of theatrical portraiture30 cited
  • 2011Print Culture, High-Cultural Consumption, and Thomson's The Seasons , 1780–179728 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2001Locating the Visual in As You Like It19 cited
  • 2010Visual Interpretations, Print, and Illustrations of Thomson's The Seasons, 1730 – 179718 cited
  • 1993Thomas Gray's Contribution to the Study of Medieval Architecture18 cited
  • 1987Unnatural Acts: Art and Passion on the Mid-Eighteenth-Century Stage

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16 cited
  • 1999The paradoxical sisterhood: ‘ut pictura poesis’13 cited