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Popular music reaction videos: Reactivity, creator labor, and the performance of listening online
15 references·3 citing·35 second hop
Popular music reaction videos: Reactivity, creator labor, and the performance of listening online (2020)Popular music reaction videos: Reactivity…Spotify Teardown (2019)Spotify TeardownHush (2019)HushAlgorithms of Oppression (2018)Algorithms of OppressionThe sound(s) of subjection: Constructing American popular music and racial identity through Blacksound (2017)The sound(s) of subjection: C…Selling Digital Music, Formatting Culture (2015)Selling Digital Music, Format…Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)Spreadable Media: Creating Va…Camgirls: Celebrity and Community in the Age of Social Networks (2008)Camgirls: Celebrity and Commu…iSpy (2007)iSpyOf the presence of the body : essays on dance and performance theory (2004)Of the presence of the body :…Beyond Structural Listening?Postmodern Modes of Hearing (2004)Beyond Structural Listening?P…Deconstructive Variations: Music and Reason in Western Society (1998)Deconstructive Variations: Mu…Changing Highbrow Taste: From Snob to Omnivore (1996)Changing Highbrow Taste: From…Black looks: race and representation (1992)Black looks: race and represe…Is there rock after punk? (1986)Is there rock after punk?Techniques of the body ∗ (1973)Techniques of the body ∗#Runningupthathill, revival and popular music fandom on TikTok (2025)#Runningupthathill, revival a…Remixing war: An analysis of the reimagination of the Russian–Ukraine war on TikTok (2023)Remixing war: An analysis of …What to watch: Practical considerations and strategies for using YouTube for research (2022)What to watch: Practical cons…Ethnological Studies among the North-West Central Queensland Aborigines (1898)World History of the Dance (1938)Reading the Past (2003)We Are What We Post? Self-Presentation in Personal Web Space (2003)Ethnological Studies among the North-West-Central Queensland Aborigines (2010)A Transdisciplinary Framework for SLA in a Multilingual World (2016)The Long Revolution (1961)Writing Culture: The Poetics and Politics of Ethnography (1986)Culture shift in advanced industrial society (1990)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Cultural capital in educational research: A critical assessment (2003)Talk Is Cheap (2014)Dancing Postcolonialism (2007)Nor-tec Rifa! (2008)The Cambridge Companion to Hip-Hop (2015)Evil Deceivers and Make-Believers: On Transphobic Violence and the Politics of Illusion (2007)Intersectionality as buzzword (2008)The unbearable heaviness of climate coloniality (2022)Digital Ethnography (2008)Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers (2016)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Music Platforms and the Optimization of Culture (2020)Algorithms at Work: The New Contested Terrain of Control (2019)When data is capital: Datafication, accumulation, and extraction (2019)What Do Platforms Do? Understanding the Gig Economy (2020)Socially Mediated Publicness: An Introduction (2012)Social Media and the Formation of Organizational Reputation (2017)Spreadable Spectacle in Digital Culture: Civic Expression, Fake News, and the Role of Media Literacies in “Post-Fact” Society (2017)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)The dimensions of streaming: toward a typology of an evolving concept (2020)Parental Mediation Theory for the Digital Age (2011)Big data and human geography (2013)Bentham, Deleuze and Beyond: An Overview of Surveillance Theories from the Panopticon to Participation (2016)
this work references cited by second hop

References

  • 1992Black looks: race and representation4,673 cited
  • 2018Algorithms of Oppression2,709 cited
  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 1973Techniques of the body ∗1,989 cited
  • 2014Spreadable Media: Creating Value and Meaning in a Networked Culture1,442 cited
  • 2008Camgirls: Celebrity and Community in the Age of Social Networks688 cited
  • 2007iSpy404 cited
  • 2004Of the presence of the body : essays on dance and performance theory248 cited
  • 2015Selling Digital Music, Formatting Culture226 cited
  • 2019Spotify Teardown212 cited
  • 1998Deconstructive Variations: Music and Reason in Western Society202 cited
  • 2004Beyond Structural Listening?Postmodern Modes of Hearing145 cited
  • 1986Is there rock after punk?117 cited
  • 2017The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound71 cited
  • 2019Hush68 cited

Cited by

  • 2022What to watch: Practical considerations and strategies for using YouTube for research

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60 cited
  • 2023Remixing war: An analysis of the reimagination of the Russian–Ukraine war on TikTok41 cited
  • 2025#Runningupthathill, revival and popular music fandom on TikTok3 cited