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Connecting Analysis and Performance: A Case Study for Developing an Effective Approach
16 references·0 citing·27 second hop
Connecting Analysis and Performance: A Case Study for Developing an Effective Approach (2013)Connecting Analysis and Performance: A Ca…A topical guide to Schenkerian literature: an annotated bibliography with indices (2005)A topical guide to Schenkeria…How We Got Out of Analysis, and How to Get Back In Again (2004)How We Got Out of Analysis, a…Analysis and (or?) performance (2002)Analysis and (or?) performanceTranslating Musical Meaning: The Nineteenth-Century Performer as Narrator (1999)Translating Musical Meaning: …Analysing Performance and Performing Analysis (1999)Analysing Performance and Per…Schenker's Interpretive Practice (1997)Schenker's Interpretive Pract…What do we perform? (1995)What do we perform?Performance and analysis: interaction and interpretation (1995)Performance and analysis: int…Heinrich Schenker, Polemicist: A Reading of the Ninth Symphony Monograph (1995)Heinrich Schenker, Polemicist…The Criticism of Analysis and the Analysis of Criticism (1992)The Criticism of Analysis and…20th-century analysis and Mozart performance (1991)20th-century analysis and Moz…Musical Structure and Performance (1989)Musical Structure and Perform…Introduction to Schenkerian Analysis (1984)Introduction to Schenkerian A…Instructor's manual for introduction to Schenkerian analysis (1982)Instructor's manual for intro…Form and performance (1962)Form and performanceStructural Hearing; Tonal Coherence in Music (1953)Structural Hearing; Tonal Coh…Musical Form and Musical Performance (1971)In Respect of Performance: The View from Musicology (2003)The performance teacher as music analyst: a case study (2004)A spiral model of musical decision-making (2014)The Question of Purpose in Music Theory: Description, Suggestion, and Explanation (2001)Form, Program, and Metaphor in the Music of Berlioz (2009)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Chromatic Transformations in Nineteenth-Century Music (2002)Choreographic Cognition (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)The Functional Extravagance of Chromatic Chords (1986)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Music as Discourse (2008)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Broken Beauty (2018)Musical Performance as Interpretation (1995)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)Between Process and Product (2001)The Half Cadence and Other Such Slippery Events (2014)The Art of Doing (Geographies of) Music (2007)Flow (2019)Modernist Composer and Mahler Conductor: Changing Conceptions of Performativity in Boulez (2006)Music in Profile (2023)Translating musical meaning (2023)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)On African Music (2023)
this work references cited by second hop

References

  • 1953Structural Hearing; Tonal Coherence in Music246 cited
  • 2004How We Got Out of Analysis, and How to Get Back In Again189 cited
  • 1984Introduction to Schenkerian Analysis127 cited
  • 1999Analysing Performance and Performing Analysis121 cited
  • 1995Performance and analysis: interaction and interpretation107 cited
  • 1989Musical Structure and Performance97 cited
  • 1997Schenker's Interpretive Practice89 cited
  • 2002Analysis and (or?) performance67 cited
  • 1999Translating Musical Meaning: The Nineteenth-Century Performer as Narrator47 cited
  • 2005A topical guide to Schenkerian literature: an annotated bibliography with indices37 cited
  • 1962Form and performance22 cited
  • 1995Heinrich Schenker, Polemicist: A Reading of the Ninth Symphony Monograph20 cited
  • 1992The Criticism of Analysis and the Analysis of Criticism16 cited
  • 1982Instructor's manual for introduction to Schenkerian analysis12 cited
  • 1995What do we perform?11 cited
  • 199120th-century analysis and Mozart performance5 cited

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