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Felix Diergarten / Markus Neuwirth, Formenlehre. Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts, Laaber: Laaber 2019
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Felix Diergarten / Markus Neuwirth, Formenlehre. Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts, Laaber: Laaber 2019 (2020)Felix Diergarten / Markus Neuwirth, Forme…Schemata und Systemcharakter (2015)Schemata und SystemcharakterOn Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte (2015)On Synergies of Schema Theory…Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…London und der Klassizismus in der Musik (2002)London und der Klassizismus i…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Zur Theorie der musikalischen Form (1977)Zur Theorie der musikalischen…Versuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…Musikalische Formenlehre (1912)Musikalische FormenlehreExplaining Music: Essays and Explorations (1974)A classic turn of phrase: music and the psychology of convention (1988)Schema Theory as a Construction Grammar (2015)Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)Audacious euphony: Chromaticism and the triad's second nature (2013)Warum es die Welt nicht gibt (2013)Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)The Cambridge Companion to the Symphony (2013)The Viennese symphony 1750 to 1827 (2013)To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland (2021)The Elusive Fantasy: Genre, Form, and Program in Tchaikovsky's "Francesca da Rimini" (1998)Joseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006. (2011)A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire (2021)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1969Versuch einer Anleitung zur Composition242 cited
  • 2002London und der Klassizismus in der Musik39 cited
  • 1912Musikalische Formenlehre32 cited
  • 2015On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte26 cited
  • 1977Zur Theorie der musikalischen Form5 cited
  • 2015Schemata und Systemcharakter5 cited

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